tag:blogger.com,1999:blog-9146825167984221472024-03-13T05:23:26.327+01:00Todeskinoavantgarde artTodeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comBlogger22125tag:blogger.com,1999:blog-914682516798422147.post-24365991830153586022014-04-17T18:01:00.000+02:002014-05-06T14:55:42.208+02:00Wilhelm Reich<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Todeskino completed a film called "Wilhelm Reich" ( 16 mm, 8340 frames, 6').</span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">The film is built of 16 cells, sequences where the frame-units are corresponding to the Fibonacci series that were applied to a measure of film durations by Todeskino ("CineFrAc" / Golden Section / human proportions).</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVzO5LCwVOUy8rFktjAIq2MDac_7jQSipGvQN1ZEUhGjgopPo9OoviPCswJBxXc_e7i7_ID6KtZeU7KY3w0dTFm1N1RbkujWjvcCwRgTvaaUpDl1AvlIErVgNqRhxVFBYdyJRDXx1uhg/s1600/Cinematic+Frame+Architecture+by+Todeskino.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="CineFrAc" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVzO5LCwVOUy8rFktjAIq2MDac_7jQSipGvQN1ZEUhGjgopPo9OoviPCswJBxXc_e7i7_ID6KtZeU7KY3w0dTFm1N1RbkujWjvcCwRgTvaaUpDl1AvlIErVgNqRhxVFBYdyJRDXx1uhg/s1600/Cinematic+Frame+Architecture+by+Todeskino.jpg" height="124" title="Cinematic Frame Architecture by Todeskino" width="200" /></a></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">The cells follow steps of 2 or 3 numbers of the first, left, classic Fibonacci series that sum up to another number in the series, whereas the sums of the 3 units steps result in a number of the second, right series which is based on the double of the first. See the following illustration:</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiahij14NIcoOJrjrjH7G8xhUZBaILoDgltSCBVBnhepOokRckxpWcLCYNmg3kitaLq0koVr-DfuoPi9QeNkzMxDp9EiVyoyxo4iSylS75_klw0KPuXyXb5W-pIxXnMXJbMckAzjBDE1A/s1600/Cinematic+Frame+Architecture+CineFrAc+by+Todeskino.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="CineFrAc" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiahij14NIcoOJrjrjH7G8xhUZBaILoDgltSCBVBnhepOokRckxpWcLCYNmg3kitaLq0koVr-DfuoPi9QeNkzMxDp9EiVyoyxo4iSylS75_klw0KPuXyXb5W-pIxXnMXJbMckAzjBDE1A/s1600/Cinematic+Frame+Architecture+CineFrAc+by+Todeskino.jpg" height="640" title="Cinematic Frame Architecture by Todeskino" width="451" /></a></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">For the composition of part I the random generator <i>random.org</i> brings the 16 cells into a random order. The subjects of the units are consisting of b/w found footage (partly negative), colorized in 6 colors of the spectrum by Todeskino's special film colorizing method. The material represents Reichian topics (scientific, biologic, microscopic, cellular, cosmic, erotic and political images). </span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">For the structure of part II <i>random.org</i> was deciding a random order of 100 cells, where the single sequences can occur repeatedly. In the film the sequences are edited as long as every cell has appeared at least once, which is resulting in 51 sequences of cells in the present film. The film's total duration sums up to 8340 frames.</span></span><br />
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Stills from "Wilhelm Reich" by Todeskino:</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2kQRLibf_Upc8QIXG9r7P5INH3Qf6grXUjhI60yBxPCtRC07-gsTj8weOU_WWXnxHOcRlAEHUHAyR1lf7Zhe7-M8kB4sjdtTUhn0c3oWNlb35CsRVPnj8A_gKTcPnThK7gbYuyiRX3A/s1600/Wilhelm+Reich+by+Todeskino+7.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2kQRLibf_Upc8QIXG9r7P5INH3Qf6grXUjhI60yBxPCtRC07-gsTj8weOU_WWXnxHOcRlAEHUHAyR1lf7Zhe7-M8kB4sjdtTUhn0c3oWNlb35CsRVPnj8A_gKTcPnThK7gbYuyiRX3A/s1600/Wilhelm+Reich+by+Todeskino+7.JPG" height="300" title="still from Wilhelm Reich by Todeskino" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJgZB_OuiXhI56eKm2GWVDi9oyOTDSUvoLvfm9iYT2xyemC8xHg2MN1Ga6w6XBnxfvugDWemc2ucpip8QJf06nwSyJHCygyfYPa7LDAdg7kdaMPhxdhBTwu7cVcHN_dfkrgt5jIcO1LQ/s1600/Wilhelm+Reich+by+Todeskino+2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJgZB_OuiXhI56eKm2GWVDi9oyOTDSUvoLvfm9iYT2xyemC8xHg2MN1Ga6w6XBnxfvugDWemc2ucpip8QJf06nwSyJHCygyfYPa7LDAdg7kdaMPhxdhBTwu7cVcHN_dfkrgt5jIcO1LQ/s1600/Wilhelm+Reich+by+Todeskino+2.JPG" height="300" title="still from Wilhelm Reich by Todeskino" width="400" /></a></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_czF-lVKwGKyfGXQWpHundCcodt-zMrNxVnhIQpFJvsInMrGyAzujf_6U06tbsTXKD4sqtfayf7vg4PlIrInWGf-pKdE-xdyGvVV4c20YS7dlsoMimNsL4GnD_M7rxmKhnwc60Ul9eA/s1600/Wilhelm+Reich+by+Todeskino+3.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_czF-lVKwGKyfGXQWpHundCcodt-zMrNxVnhIQpFJvsInMrGyAzujf_6U06tbsTXKD4sqtfayf7vg4PlIrInWGf-pKdE-xdyGvVV4c20YS7dlsoMimNsL4GnD_M7rxmKhnwc60Ul9eA/s1600/Wilhelm+Reich+by+Todeskino+3.JPG" height="300" title="still from Wilhelm Reich by Todeskino" width="400" /></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIdQ6DzXyccZphFQ9ps_duWtCn6dmjPSHBK7JEtWkXQJ8QnAhGcTuRun6Dugmvev6peuMMC_hBUeNfstemf4sU2fhmp43pDC0KoZA1rgXCDSzOQBpC6bmkP5ljJiRQ5ZybsGZ9PFPPmQ/s1600/Wilhelm+Reich+by+Todeskino+1.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIdQ6DzXyccZphFQ9ps_duWtCn6dmjPSHBK7JEtWkXQJ8QnAhGcTuRun6Dugmvev6peuMMC_hBUeNfstemf4sU2fhmp43pDC0KoZA1rgXCDSzOQBpC6bmkP5ljJiRQ5ZybsGZ9PFPPmQ/s1600/Wilhelm+Reich+by+Todeskino+1.JPG" height="300" title="still from Wilhelm Reich by Todeskino" width="400" /> </a> </span></span></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeVWynTCZX2ZL50mb5EvufqIl9gizNvGa2MJak05ffmEt33DL99bfbAPs30mYlDjSnWmiLKLMC-wHlNRXezbx83RmshFWPgaP_KmMHtnoLJau0w5RbWMHOTtv5DidpqvEODCwfGcWdmw/s1600/Wilhelm+Reich+by+Todeskino+4.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeVWynTCZX2ZL50mb5EvufqIl9gizNvGa2MJak05ffmEt33DL99bfbAPs30mYlDjSnWmiLKLMC-wHlNRXezbx83RmshFWPgaP_KmMHtnoLJau0w5RbWMHOTtv5DidpqvEODCwfGcWdmw/s1600/Wilhelm+Reich+by+Todeskino+4.JPG" height="300" title="still from Wilhelm Reich by Todeskino" width="400" /></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTZdiItL-avlBfxQNBZUg-FVOHMd3qnJbSZJIEwDvJPaJIrbLSCxiB_ybAvX12_zL4wLFNSyTH3HlKAa10ePu0GxG-FpE5nrXp2-8EmpJy3tQ1hbKgZZ6A3I2HIqUNE69-97VEopPY2w/s1600/Wilhelm+Reich+by+Todeskino+6.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTZdiItL-avlBfxQNBZUg-FVOHMd3qnJbSZJIEwDvJPaJIrbLSCxiB_ybAvX12_zL4wLFNSyTH3HlKAa10ePu0GxG-FpE5nrXp2-8EmpJy3tQ1hbKgZZ6A3I2HIqUNE69-97VEopPY2w/s1600/Wilhelm+Reich+by+Todeskino+6.JPG" height="300" title="still from Wilhelm Reich by Todeskino" width="400" /></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid1B3AMkBRdpTpZHtnQiCVj7p2hd9SpxM1mf7AEp1mjGRFTwk_xKfb1disYnT19RmYVeTYenbToOvytkPsLfXd8_xUGTH7K9d-EBgAHUdtNsyjZMV5G9GN8EIUw27_BCP-tk4zvCBfkA/s1600/Wilhelm+Reich+by+Todeskino+5.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid1B3AMkBRdpTpZHtnQiCVj7p2hd9SpxM1mf7AEp1mjGRFTwk_xKfb1disYnT19RmYVeTYenbToOvytkPsLfXd8_xUGTH7K9d-EBgAHUdtNsyjZMV5G9GN8EIUw27_BCP-tk4zvCBfkA/s1600/Wilhelm+Reich+by+Todeskino+5.JPG" height="300" title="still from Wilhelm Reich by Todeskino" width="400" /></a></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1qmCPM-agn1zmmJ7UI7uMDsXACyvR9RxGRFHIw65JuqD_ijbyQoQQ87jFZn-Zih2USuAqllfWYx-MKyiU5mhpZsk8A7nerNH06TQgZhOpMkaC0RGjwHLg8Sl8MKH6JqXEI0rd1gOPBQ/s1600/Wilhelm_Reich_in_1900.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1qmCPM-agn1zmmJ7UI7uMDsXACyvR9RxGRFHIw65JuqD_ijbyQoQQ87jFZn-Zih2USuAqllfWYx-MKyiU5mhpZsk8A7nerNH06TQgZhOpMkaC0RGjwHLg8Sl8MKH6JqXEI0rd1gOPBQ/s1600/Wilhelm_Reich_in_1900.jpg" title="Wilhelm Reich" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Wilhelm Reich as a child</td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4XTh9pZ7631P9ZaL8K3v_8Ld_ejZrWltVKRvgs52_vhRufTz1_HR4NCwezhANwkr9xM6mJqUtPtUNdw6yGHLxzn6OE4qqnhdiEFUfbGErwaIayappFWJiO80hrCVEFqH-fOpX7AThOA/s1600/Wilhelm+Reich.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4XTh9pZ7631P9ZaL8K3v_8Ld_ejZrWltVKRvgs52_vhRufTz1_HR4NCwezhANwkr9xM6mJqUtPtUNdw6yGHLxzn6OE4qqnhdiEFUfbGErwaIayappFWJiO80hrCVEFqH-fOpX7AThOA/s1600/Wilhelm+Reich.jpg" height="640" title="Wilhelm Reich" width="459" /></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">some simplistic schemes of the Reichian universe found on the internet:</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7VYAp4E9GWgolFodIWcBMMuofulbA-oFESdraNqVbXTQD_pzYWPh8Sj_JoV0ZChIUlCV9hnKqw2wD85cXKHSll3Ihrr4vNIzCOEAO6geHg4S0_VEdaDcajEMyNTSDbJQ6XgztT_x_SA/s1600/Wilhelm+Reich+Schema+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7VYAp4E9GWgolFodIWcBMMuofulbA-oFESdraNqVbXTQD_pzYWPh8Sj_JoV0ZChIUlCV9hnKqw2wD85cXKHSll3Ihrr4vNIzCOEAO6geHg4S0_VEdaDcajEMyNTSDbJQ6XgztT_x_SA/s1600/Wilhelm+Reich+Schema+1.jpg" height="400" width="391" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtZONAP6t4X4QwEF0DkT_VzmJtORNFhOBs4h_0IlWJWveU2Xojy7KgjI0oZokYc0fyC31CCn9sCNaJMStCXBA8bIrdY8ldbc7EISh44_wwlFP8jq8NfBHUUqHCsBZPLPe9VNEy0zAHGA/s1600/Wilhelm+Reich+Schema+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtZONAP6t4X4QwEF0DkT_VzmJtORNFhOBs4h_0IlWJWveU2Xojy7KgjI0oZokYc0fyC31CCn9sCNaJMStCXBA8bIrdY8ldbc7EISh44_wwlFP8jq8NfBHUUqHCsBZPLPe9VNEy0zAHGA/s1600/Wilhelm+Reich+Schema+2.jpg" height="230" width="400" /></a></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"> </span></span></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">temporary preview of the film:</span></span></div>
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<iframe allowfullscreen="" frameborder="0" height="360" src="//www.youtube.com/embed/Zq0mlsFwyfA?rel=0" width="480"></iframe>
Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-12825228596255009922014-03-07T18:43:00.000+01:002014-04-28T15:09:48.263+02:00Polynome 9936/Polynomials 9936 - New Film Conceptions 3<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0AMp0Iw7b8BTW5su9P5gaJfP2ZfrAYTyxggfzIivZGReBVdn7fKZOzficr6XAKVkNNZqXuXXjLNMbjuHvPCod-4kC_MrGPu1OA_4vvHwJ5jGsXOg-nOY9qum7OYNRdgycQqQaZx_k-w/s1600/polynomial+functions.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0AMp0Iw7b8BTW5su9P5gaJfP2ZfrAYTyxggfzIivZGReBVdn7fKZOzficr6XAKVkNNZqXuXXjLNMbjuHvPCod-4kC_MrGPu1OA_4vvHwJ5jGsXOg-nOY9qum7OYNRdgycQqQaZx_k-w/s1600/polynomial+functions.gif" height="305" title="polynomial functions" width="400" /></a></div>
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Todeskino completed a new film in the series <i>New Film Conceptions</i>, "Polynomials 9936", 7' 16mm. The
film is conceived after the principle of a „functional montage“. The durations
of the film units for the sequences are projected as mathematical functions. On
the abscissa the units are passing after the progressive timeline and added to
sequences. The durations of the frame-units are a result from the function
values on the ordinate, that are varying after the progressing units and calculated
after polynomial functions.</span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQcGGfc0GZAbDl4PgNumZP8yFU_F1JrNwP_pIW4tc718na7q2sUq_X8aqiAU6P9lf_UdoJZeyFRxdvLXoE7yUL2pG22VmyGO46jBAO45pjfOEqIHnKY0hI3a3VsZLHiOxvW0ZK_h6vyQ/s1600/functional+film+montage+Todeskino.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="funktionelle Filmmontage von Todeskino" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQcGGfc0GZAbDl4PgNumZP8yFU_F1JrNwP_pIW4tc718na7q2sUq_X8aqiAU6P9lf_UdoJZeyFRxdvLXoE7yUL2pG22VmyGO46jBAO45pjfOEqIHnKY0hI3a3VsZLHiOxvW0ZK_h6vyQ/s1600/functional+film+montage+Todeskino.jpg" height="640" title="functional film montage by Todeskino" width="451" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">concept of a functional film montage by Todeskino</td></tr>
</tbody></table>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"> </span></span><br />
<div class="separator" style="clear: both; text-align: center;">
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<![endif]--><span style="font-size: small;"><span style="font-family: "Georgia","serif"; line-height: 150%;">Elements of composition after
the mentioned polynomial-distributed durations of the filmframe-units are</span></span><br />
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<![endif]--><span style="font-size: small;"><span style="font-family: "Georgia","serif"; line-height: 150%;">black leader with abstract</span><span style="font-family: "Georgia","serif"; line-height: 150%;"> geometric figures scratched
into it with the help of templates. All distributions for the subjects/materials were decided by a random generator at <a href="http://www.random.org/">www.random.org</a></span></span><br />
<span style="font-size: small;"><span style="font-family: "Georgia","serif"; line-height: 150%;">stills from the film showing examples of the different elements:</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3-4rPUlDczOZ8oe_U_SON9yLfZ5ApUMYXjt6D8h22jYcwLbgwQpNGoEKbatsVMKWtY0KXMPp8j2lJsJITUain-ED_0Kti7q5ZDw372akphb-dtW6I8d16ZZhx086DTrNGHHwFDafUGQ/s1600/2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3-4rPUlDczOZ8oe_U_SON9yLfZ5ApUMYXjt6D8h22jYcwLbgwQpNGoEKbatsVMKWtY0KXMPp8j2lJsJITUain-ED_0Kti7q5ZDw372akphb-dtW6I8d16ZZhx086DTrNGHHwFDafUGQ/s1600/2.JPG" height="300" title="Todeskino Polynomials 9936 still" width="400" /></a></div>
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<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio1xCerpan4GZJuYPa6LCg7z-kzkWwhK0haXTrpxLu8AhzV9kxWCDPTpGCXhE0Wamvsz_QmUOtd-ERXa0enIAaOFYD4HazleIF3FYXtey5IxU3bNTUqyya9rZPlf6qLnAWl2RtYzjEdw/s1600/3.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio1xCerpan4GZJuYPa6LCg7z-kzkWwhK0haXTrpxLu8AhzV9kxWCDPTpGCXhE0Wamvsz_QmUOtd-ERXa0enIAaOFYD4HazleIF3FYXtey5IxU3bNTUqyya9rZPlf6qLnAWl2RtYzjEdw/s1600/3.JPG" height="300" title="Todeskino Polynomials 9936 still" width="400" /></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC15qRBVInOpsl_VFI3iZ3d_DVDgip7dovKFiu0HD0qaxwALeMijPE5IFAaV-f9VkIoPsSYLEqy5fBjpP2xZE6gPF0LeCaVKCGj1aaCS-2VvIC5i5HcmaqRU0uobTBdA2bL9eABww1Pg/s1600/1.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC15qRBVInOpsl_VFI3iZ3d_DVDgip7dovKFiu0HD0qaxwALeMijPE5IFAaV-f9VkIoPsSYLEqy5fBjpP2xZE6gPF0LeCaVKCGj1aaCS-2VvIC5i5HcmaqRU0uobTBdA2bL9eABww1Pg/s1600/1.JPG" height="300" title="Todeskino Polynomials 9936 still" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUkWxptaLHLFDwzdQ5ndHJNQE10WGpEe9Nk5_nT2ob7ENdo8ynuzjWxisEeAeF0RDyento5eKS56CtiVu_i8KYQkyZJIuxfaCnWnG7sLMGW-L4qS5pCm7TaHlK9Yqoo6hmZ4USE_QTvQ/s1600/8.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUkWxptaLHLFDwzdQ5ndHJNQE10WGpEe9Nk5_nT2ob7ENdo8ynuzjWxisEeAeF0RDyento5eKS56CtiVu_i8KYQkyZJIuxfaCnWnG7sLMGW-L4qS5pCm7TaHlK9Yqoo6hmZ4USE_QTvQ/s1600/8.JPG" height="300" title="Todeskino Polynomials 9936 still" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWgMyMM0lI3ZyyrT24u88f4Au-oY4i8oxToPQE27308Jd0SuqadLfemLxJJk9CSf6OpJ3Nj7zbJBY-6q0o9DkT3Lr5-L3dq_m6wARUob_aZUYPFJMUuUTbnHJfWnkrHFt1ZLXxP0cj2w/s1600/4.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWgMyMM0lI3ZyyrT24u88f4Au-oY4i8oxToPQE27308Jd0SuqadLfemLxJJk9CSf6OpJ3Nj7zbJBY-6q0o9DkT3Lr5-L3dq_m6wARUob_aZUYPFJMUuUTbnHJfWnkrHFt1ZLXxP0cj2w/s1600/4.JPG" height="300" title="Todeskino Polynomials 9936 still" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgntxFTA0MdoUsZyWqfhZE5NYkfkdQ336rxcPknbubZztI4HZDAtIxgNlpSpcul6h6enSP8JlPzKa3fdMsAo3SyIdopitErFkFo89qpcKLGv8pvK4uvrKl11Q3W5hEYDtdFpNQopTwTlg/s1600/7.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgntxFTA0MdoUsZyWqfhZE5NYkfkdQ336rxcPknbubZztI4HZDAtIxgNlpSpcul6h6enSP8JlPzKa3fdMsAo3SyIdopitErFkFo89qpcKLGv8pvK4uvrKl11Q3W5hEYDtdFpNQopTwTlg/s1600/7.JPG" height="300" title="Todeskino Polynomials 9936 still" width="400" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaxdn7ou9AE44ENNMPttX1pYCHDNcewx6jC8CobZ4Ip2rpSOS2I76plSBwS-B6cOb87BcymHmmALV-bMn0hi4Vbnfy9if7PnpldEdZrCQiiXR0CAPWX7qC2ZFTiC5sxJkfcgeE5zBTrA/s1600/number+6+to+9+color.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaxdn7ou9AE44ENNMPttX1pYCHDNcewx6jC8CobZ4Ip2rpSOS2I76plSBwS-B6cOb87BcymHmmALV-bMn0hi4Vbnfy9if7PnpldEdZrCQiiXR0CAPWX7qC2ZFTiC5sxJkfcgeE5zBTrA/s1600/number+6+to+9+color.png" height="400" title="Polynomials 9936 by Todeskino" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">polynomial functions distributing the frame units for the sequences #6 to 9 of the film</span></td></tr>
</tbody></table>
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temporary preview of the film:</div>
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<br /></div>
<span style="font-size: small;"><span style="font-family: "Georgia","serif"; line-height: 150%;"> </span></span>
<iframe width="480" height="360" src="//www.youtube.com/embed/oYy-G-3e0Vk?rel=0" frameborder="0" allowfullscreen></iframe>
Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-41281593802735183752013-08-04T13:20:00.000+02:002014-04-05T17:03:14.368+02:00The Shape of Film to Come<!--[if gte mso 9]><xml>
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<![endif]--><span style="font-family: Georgia;">Todeskino</span><br />
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<span style="font-family: Georgia;">New Film Conceptions 2 – <i style="mso-bidi-font-style: normal;">The Shape of Film to Come</i></span><br />
<span style="font-family: Georgia;">14' 16mm b/w</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqNOQ5AVNTpb1612NtQY_HFs_qKH37O8fWNnZfny5r_sExi0IvdMgvsEMyZ8zQ9CXZbKn-sYovyh3VDZRr2ukLygpIEvNlg387wr1slpLfB3PCcX4YXf2zbfraX4MX5Xg8EZ0AlUTL8Q/s1600/vlcsnap-00003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqNOQ5AVNTpb1612NtQY_HFs_qKH37O8fWNnZfny5r_sExi0IvdMgvsEMyZ8zQ9CXZbKn-sYovyh3VDZRr2ukLygpIEvNlg387wr1slpLfB3PCcX4YXf2zbfraX4MX5Xg8EZ0AlUTL8Q/s400/vlcsnap-00003.jpg" height="300" title="Todeskino New Film Conceptions 2 – The Shape of Film to Come" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhck_89zZ_fAisYBKI3xS5C7BWEOax9C900GgTL_4o7fbZx0EqQ2In7OdNxbC7vihBpcwibnD1lGHX-iE5MM_gOANUi2kstDXCmOe3CG6YOIVHS9qSWIYYU_bxfZQZ7QIrG08HbCyWKSA/s1600/vlcsnap-00004.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhck_89zZ_fAisYBKI3xS5C7BWEOax9C900GgTL_4o7fbZx0EqQ2In7OdNxbC7vihBpcwibnD1lGHX-iE5MM_gOANUi2kstDXCmOe3CG6YOIVHS9qSWIYYU_bxfZQZ7QIrG08HbCyWKSA/s400/vlcsnap-00004.jpg" height="300" title="Todeskino New Film Conceptions 2 – The Shape of Film to Come" width="400" /></a></div>
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<span style="font-family: Georgia;">The film’s composition
follows the algebraic notation of a chessgame, transfering it directly on to
the film strip and the number of frames. The positions of the chess pieces are
indicated by black and clear leader with scratchings or marks showing the
coordinates of the chess board, the moves of the pieces are displayed in the way
that the number of squares in the movements is corresponding to the number of
film frames. On the film strip one could indeed reconstruct the game. (In the
introduction sequences showing the chess board the principles of the golden
section and the Fibonacci numbers in the framework are applied again as in our
previous works.)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZSuYPtGIXTE3bpydn-AmIDmfdtslmfhm6RWxuVohAA7PqEFT5YP4NA5_2ntGt-Ijmzl4m9kxt2lRIQ4PpZcsOqfZQ-mLVczDS1j0bk_oMcOT6yToNBgdjXSRYQuUj9X_TbVG3AKn8RQ/s1600/vlcsnap-00005.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZSuYPtGIXTE3bpydn-AmIDmfdtslmfhm6RWxuVohAA7PqEFT5YP4NA5_2ntGt-Ijmzl4m9kxt2lRIQ4PpZcsOqfZQ-mLVczDS1j0bk_oMcOT6yToNBgdjXSRYQuUj9X_TbVG3AKn8RQ/s320/vlcsnap-00005.jpg" height="240" title="Todeskino New Film Conceptions 2 – The Shape of Film to Come" width="320" /></a></div>
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<span style="font-family: Georgia;">Furthermore the six
different chess pieces are illustrated by tarot cards (taken from the Aleister
Crowley/Frieda Harris Thot tarot deck), positive for white and negative for
black, amplifying the collective symbolic connotations of the chessgame for the
human psyche. Chess is a game of representation, historically reflecting the
feudal system and the social forms of power, classes and sovereignity<span style="mso-spacerun: yes;"> </span>that are derived from religious structures
until today.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5s7w4DxHd7ekE99IxHrHiGoKjBkm38qCnvwFwmmG3fJsf2SwKJWSB98VeRvvlDlsMdg-DjeMcTiWbLYHqiUQbRv3y0BihX7QxRR8JfnCJrE7a60QPjsL6PhHqRhUdimIirf9YOh-OmA/s1600/vlcsnap-00007.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5s7w4DxHd7ekE99IxHrHiGoKjBkm38qCnvwFwmmG3fJsf2SwKJWSB98VeRvvlDlsMdg-DjeMcTiWbLYHqiUQbRv3y0BihX7QxRR8JfnCJrE7a60QPjsL6PhHqRhUdimIirf9YOh-OmA/s320/vlcsnap-00007.jpg" height="240" title="Todeskino New Film Conceptions 2 – The Shape of Film to Come" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw7buUrLYboQsxaa1NCVOiYnAFrr7QfXNfJkQqw8bh4hWBNIu6T1m2slswY0_zNYSCB_Wa91f1N-c6SUEuSKMmbguNX_Kaixk01Eb8mOamASfj0cykw3iHhpELX7-6OO2pggbs3DhOTg/s1600/vlcsnap-00014.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw7buUrLYboQsxaa1NCVOiYnAFrr7QfXNfJkQqw8bh4hWBNIu6T1m2slswY0_zNYSCB_Wa91f1N-c6SUEuSKMmbguNX_Kaixk01Eb8mOamASfj0cykw3iHhpELX7-6OO2pggbs3DhOTg/s320/vlcsnap-00014.jpg" height="240" title="Todeskino New Film Conceptions 2 – The Shape of Film to Come" width="320" /></a></div>
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<span style="font-family: Georgia;">Thus the correspondence
with the tarot cards opens up the concept towards a symbolic transgression that
goes beyond the limited aspects of human rationality that is based on and
derived from a godlike reason. Chess is representing a male system of paternal
power and its logic of strategic war. Therefore the first games from the series
of the famous chess world championship 1972 were chosen for the composition (<a href="http://tchecmeet.free.fr/parties/view/spass-fischer.htm">http://tchecmeet.free.fr/parties/view/spass-fischer.htm</a>),
because after a long dominance of soviet players it also had the political
dimension of reflecting the cold war situation on the chessboard, a prestige game
of war and power displaying an almost fetichelike human rationality and
paranoia.</span></div>
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<span style="font-family: Georgia;">(Note that in the chess
federations in the ELO points rating system there is an unquestioned
discrimination of women, treating their master degree for less, showing that
the chess world overall is traditionally rooted in reactionary surroundings.) </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-FjYFfWjhQ3R6TuTMMMmbS74j6evmyTMZu6nkK5bjk-l37ON4PZ5F3hwwpoarZFFVf9-TTBt7iDrXI6KdN4d_W5KWYJy3ecAYgNZcECZiFrrT32tBGx-BMPHPJI7o0KXSlZTwLwCePg/s1600/vlcsnap-00011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-FjYFfWjhQ3R6TuTMMMmbS74j6evmyTMZu6nkK5bjk-l37ON4PZ5F3hwwpoarZFFVf9-TTBt7iDrXI6KdN4d_W5KWYJy3ecAYgNZcECZiFrrT32tBGx-BMPHPJI7o0KXSlZTwLwCePg/s320/vlcsnap-00011.jpg" height="240" title="Todeskino New Film Conceptions 2 – The Shape of Film to Come" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPqyE3KjY-yXNNU3QsMjPi0ZsovNFFv_NEQOOOhla1JXzjVcwJqiDw5j-0NmtF5NHkN2Ju6JD-AtDVElsJdEkBs7-aqv6Dl6JECgINfCM4kDZ1g18SQ7p6PH3BpwaVfpvNZSnDb5kfmg/s1600/vlcsnap-00008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPqyE3KjY-yXNNU3QsMjPi0ZsovNFFv_NEQOOOhla1JXzjVcwJqiDw5j-0NmtF5NHkN2Ju6JD-AtDVElsJdEkBs7-aqv6Dl6JECgINfCM4kDZ1g18SQ7p6PH3BpwaVfpvNZSnDb5kfmg/s320/vlcsnap-00008.jpg" height="240" title="Todeskino New Film Conceptions 2 – The Shape of Film to Come" width="320" /></a></div>
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<span style="font-family: Georgia;">The allusions in the title
„The Shape of Film to Come“ are manifold. Obviously the concept is inspired by
music. In 1968 John Cage and Marcel Duchamp played a game of chess as a
performance where their moves on an electronically prepared <span style="mso-spacerun: yes;"> </span>chessboard were transformed into sounds. In
1959 free jazz pioneer Ornette Coleman made an album „The Shape of Jazz to
Come“ that was programmatically foreshadowing a new style and conception in
jazz. It has a great irony too for us proclaiming new conceptions for the
future in film exactly at a point where film itself, its materiality, is dying
out, giving way for pure digital cinema that is in most cases very limited and
poor in its scope of thinking compared to the analogue. There is no future for
film and there is no real film to come any more. Todeskino displays death in
motion and was born in the times of the irreversable death of film. But the
fear of death is the crucial basis of human existence. Man is not master of
time. Film is the last art in the row of art forms and the only one to really
create in the field of both space and time, even more expanded than in modern
architecture. With film art dies. The digital image media<span style="mso-spacerun: yes;"> </span>try to control everything by a binary code
system and the way of „computing“ analogue material fame by frame structurally
appears to us as the only way to transgress that. Chess is predestinated to
illustrate this binary world of black and white in cold logic. It is a
ridiculous, neurotic or sometimes even psychotic, human attempt to challenge
death. In Ingmar Bergman’s <i style="mso-bidi-font-style: normal;">The Seventh
Seal</i> a desperate knight plays chess with death and the pool is his life.
But death says „I give no respite“. It is the futile try to suspend what comes
in future, the inevitable move of a „superhuman“ transgressive force. Chess is,
like all art forms, and it is an art in itself in a way, an economic system, in
the closed form of limited economy like Bataille would say, and on the fringes
of its representation that what transgresses it. The art of the chess master is
anticipation of the future until there is no future left and nothing to come
exept the death of the king, the taboo, the feared incestuous transgression. (<i style="mso-bidi-font-style: normal;">video</i>, „I see“…) <span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: Georgia; font-size: small;">The gaining of "time" and "space" is indeed a classical term in chess strategy. Today there are absurd
battles reflecting the late global capitalistic status, to write chess programs
with fantastic ratings that are playing the world championships among
themselves and that no human grandmaster is able to beat any more. The machine,
although constructed by humans, overpowers them and leaves a blind spot in a grotesque
unconscious identification or projection: mortality. Through the machine age of
late modern technological civilisation a kind of „immortality“ is tried to be obtained,
neglecting that even gods die… <span style="mso-spacerun: yes;"> </span>The
battle for space, the 2nd WW, was transformed more and more into a battle for
time, „information“, during the cold war period, now in the post-political post
cold war era the battle to control the masses is raging on as a struggle for
information revealing itself every year in new processors for faster and more
complex calculations, more electronic „space“ for data storage, higher
resolutions for pornographic images, grotesque financial games and so on.</span><br />
<span style="font-family: Georgia; font-size: small;">Needless to say that there is another aspect of what is to come: fatality. The tarot is traditionally used for divination. As long as the film is played from the reel there are always frames to come. The shape of film to come is <i>our</i> film. We don't stop playing - far out... </span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU-IZomxcqqnGJoI-udQQP7lHWzXFaR_9Kvf_YS9y-Wv6NGEAyObG79mlgW307FiSPlKoecs8PZ8i3zj934gfnb4uDTHR2ethCTbAZLtBDoaIV8PKmJgU4vlZE2bnB1DhtDUS_M5iuMQ/s1600/New+Film+Conceptions+2b.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU-IZomxcqqnGJoI-udQQP7lHWzXFaR_9Kvf_YS9y-Wv6NGEAyObG79mlgW307FiSPlKoecs8PZ8i3zj934gfnb4uDTHR2ethCTbAZLtBDoaIV8PKmJgU4vlZE2bnB1DhtDUS_M5iuMQ/s640/New+Film+Conceptions+2b.jpg" height="640" title="chess algebraic notation" width="452" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">the
coordinates of the chessboard used for the algebraic notation of a
chess game, basis for the film's score and notation structurally, frame
by frame
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgijLVIEM3JJYAysgDNduCuPv0jAzUU9qGF3SVTZfYnYA4GnMcsNqlrLbaYMJnWnU-0XSP3jPETQwdgMHr4MUNIRptqZL9Yt253hmRKIpOtFmXskZ2jlOYfoJkqWoFTzYJMrGRbj6ltgw/s1600/Thot+Thoth.gif" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgijLVIEM3JJYAysgDNduCuPv0jAzUU9qGF3SVTZfYnYA4GnMcsNqlrLbaYMJnWnU-0XSP3jPETQwdgMHr4MUNIRptqZL9Yt253hmRKIpOtFmXskZ2jlOYfoJkqWoFTzYJMrGRbj6ltgw/s400/Thot+Thoth.gif" height="400" title="Thoth, egyptian god " width="297" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Thot, egyptian god of the scribes and of magic
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXbPHzJEQHZ7SdKRriPK0OEZK-VGhpDahHyJ3SqeHzjbOolAIx_-6WzG9itW0xNNZr5NgyJW0WxYFdtNR23ZGpgWjJ1odIvq4TSTvYERZmTg3n0W3CfgeKdz9ZbC8U78EG6JGk4PWNGQ/s1600/Aleister+Crowley+Thoth+Tarot+00_The_Fool.tif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXbPHzJEQHZ7SdKRriPK0OEZK-VGhpDahHyJ3SqeHzjbOolAIx_-6WzG9itW0xNNZr5NgyJW0WxYFdtNR23ZGpgWjJ1odIvq4TSTvYERZmTg3n0W3CfgeKdz9ZbC8U78EG6JGk4PWNGQ/s400/Aleister+Crowley+Thoth+Tarot+00_The_Fool.tif" height="400" title="Aleister Crowley/Frieda Harris Thoth Tarot deck" width="268" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">tarot card "The Fool" from the Aleister Crowley/Frieda Harris "Thoth" deck, in the film representing the chessgame's pawn piece
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT7l5PRT1lzHuHef6SNWHXhymVRz21MHBT2jrkI3Cz0VsFDCQg9_FppPEQG_R6b9UJlRHXooxklDfakso76z3r1SZtRy0O-I-LvB7ENBTAAlkoODG16SZtvJfwRzwhwMcdcNsmB7jorQ/s1600/Aleister+Crowley+Thoth+Tarot+4_14+Knight+Of+Wands.tif" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT7l5PRT1lzHuHef6SNWHXhymVRz21MHBT2jrkI3Cz0VsFDCQg9_FppPEQG_R6b9UJlRHXooxklDfakso76z3r1SZtRy0O-I-LvB7ENBTAAlkoODG16SZtvJfwRzwhwMcdcNsmB7jorQ/s400/Aleister+Crowley+Thoth+Tarot+4_14+Knight+Of+Wands.tif" height="400" title="Aleister Crowley/Frieda Harris Thoth Tarot deck" width="268" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">The Knight of Wands, representing the knight</span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZSY5awp2-YdHO9k0i5Tjp0HFt4H6A2D4kkR8HIQAwW1bbjj3xRACOOZtWEHwbeJjHltFP8m4sqjNXsiFZcpHeY4q_fu-t9ylGyH9Kk_IaJhceGZTLYHGwSMyvvF-0t5crbB6YOR4qLg/s1600/Aleister+Crowley+Thoth+Tarot+16_The_Tower.tif" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZSY5awp2-YdHO9k0i5Tjp0HFt4H6A2D4kkR8HIQAwW1bbjj3xRACOOZtWEHwbeJjHltFP8m4sqjNXsiFZcpHeY4q_fu-t9ylGyH9Kk_IaJhceGZTLYHGwSMyvvF-0t5crbB6YOR4qLg/s400/Aleister+Crowley+Thoth+Tarot+16_The_Tower.tif" height="400" title="Aleister Crowley/Frieda Harris Thoth Tarot deck" width="268" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">The Tower, illustrating the rook</span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3poL2qgXqK-5iEUrWebdvWMHglhiZhzx7YzWfqoq27urGPt1Hh7kIErkYKg_XyJo4cROB3mcwD7ibv5S9OzghbXSW1_6W-0fMMY_-Lgyv_vizo4DYinKFiecVQZOwFxOYgn4VGX6BTg/s1600/Aleister+Crowley+Thoth+Tarot+05_The_Hierophant.tif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3poL2qgXqK-5iEUrWebdvWMHglhiZhzx7YzWfqoq27urGPt1Hh7kIErkYKg_XyJo4cROB3mcwD7ibv5S9OzghbXSW1_6W-0fMMY_-Lgyv_vizo4DYinKFiecVQZOwFxOYgn4VGX6BTg/s400/Aleister+Crowley+Thoth+Tarot+05_The_Hierophant.tif" height="400" title="Aleister Crowley/Frieda Harris Thoth Tarot deck" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">The Hierophant, representing the bishop
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkc_10vgkyPMqxFPNaNCM3vqhPx779aPtqNNpixDPFlbN7q6Y_nPU6wwJqMMs_ckzJlnML1PL_2CaU0K4HJ9ZaTRdlIAEf7-o3eDkmNz58rD7moqUyIC5X37VzgztLrYbcLdgOUqzb9g/s1600/Aleister+Crowley+Thoth+Tarot+03_The_Empress.tif" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkc_10vgkyPMqxFPNaNCM3vqhPx779aPtqNNpixDPFlbN7q6Y_nPU6wwJqMMs_ckzJlnML1PL_2CaU0K4HJ9ZaTRdlIAEf7-o3eDkmNz58rD7moqUyIC5X37VzgztLrYbcLdgOUqzb9g/s400/Aleister+Crowley+Thoth+Tarot+03_The_Empress.tif" height="400" title="Aleister Crowley/Frieda Harris Thoth Tarot deck" width="267" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">The Empress, representing the queen
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-nXSp_HRrEvOfTrD-ISn5-N6QJ5-uiM55VnPrx5mddB25QCGD1lPyH89ncrWiV-Oz4LytOe5v13FNmfDyonJNvJrFbWAhVetSkLH7bJWzJx9KNSclcw96QkHMXfY6kLTqaJTnax9aXA/s1600/Aleister+Crowley+Thoth+Tarot+04_The_Emperor.tif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-nXSp_HRrEvOfTrD-ISn5-N6QJ5-uiM55VnPrx5mddB25QCGD1lPyH89ncrWiV-Oz4LytOe5v13FNmfDyonJNvJrFbWAhVetSkLH7bJWzJx9KNSclcw96QkHMXfY6kLTqaJTnax9aXA/s400/Aleister+Crowley+Thoth+Tarot+04_The_Emperor.tif" height="400" title="Aleister Crowley/Frieda Harris Thoth Tarot deck" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">The Emperor, representing the king</span></span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSTFfi1KEllu_QprBRAk3MMN_FDFZFfGZY4d0uebAbRoxDhVXIm71WGDtDyjKoyjMaFstWbPEsPdNCuNwRTDpuPAU5x8fFNpKByZNNM1vYktWB4GluGR2Munzlw0OdltihFYP7DTs4DQ/s1600/seal5.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSTFfi1KEllu_QprBRAk3MMN_FDFZFfGZY4d0uebAbRoxDhVXIm71WGDtDyjKoyjMaFstWbPEsPdNCuNwRTDpuPAU5x8fFNpKByZNNM1vYktWB4GluGR2Munzlw0OdltihFYP7DTs4DQ/s400/seal5.jpg" height="300" title="Ingmar Bergman The Seventh Seal still" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4z4h-Tl0qO9R48Qdd10ZtGzCTJFNhmVWpECj_j_YA45hqPYDDNWgME9UlZQWLwi02k-yBxyBB1PpWLvbmi5yPq-6hz2N2RvjPDm-7hL3K23rUVKvZRaxogM-gWrNO8kSo8ETbkNIXEA/s1600/seal7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4z4h-Tl0qO9R48Qdd10ZtGzCTJFNhmVWpECj_j_YA45hqPYDDNWgME9UlZQWLwi02k-yBxyBB1PpWLvbmi5yPq-6hz2N2RvjPDm-7hL3K23rUVKvZRaxogM-gWrNO8kSo8ETbkNIXEA/s400/seal7.jpg" height="300" title="Ingmar Bergman The Seventh Seal still" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-pi8Rybaq5x9zcHnEixiT9hdWB65kk4DdlJr2Nk4jPZRhATLXG3uQtwCZSXRfcS1Fyji7KI7jZrlmBXk_uw4qOlQMQze3bNYzvHfz-pmsI5YY-xYE6RakB9hWr4dAUyXXYETb-jQTxw/s1600/seal8.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-pi8Rybaq5x9zcHnEixiT9hdWB65kk4DdlJr2Nk4jPZRhATLXG3uQtwCZSXRfcS1Fyji7KI7jZrlmBXk_uw4qOlQMQze3bNYzvHfz-pmsI5YY-xYE6RakB9hWr4dAUyXXYETb-jQTxw/s400/seal8.jpg" height="300" title="Ingmar Bergman The Seventh Seal still" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZYGMdI0vtecP7ltYTzAsBUQP-yGxFWHQJeRNM7-TGfJYhtirYN_0urNnFVg9pyEDuQnVZ5cY2fX3i9Cr0o3qBtQk8qq9eaX9PxKXQIpFMiJxprXjHVVe9Dt5y-c3Di0Czrt_r9ft6yw/s1600/seal9.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZYGMdI0vtecP7ltYTzAsBUQP-yGxFWHQJeRNM7-TGfJYhtirYN_0urNnFVg9pyEDuQnVZ5cY2fX3i9Cr0o3qBtQk8qq9eaX9PxKXQIpFMiJxprXjHVVe9Dt5y-c3Di0Czrt_r9ft6yw/s400/seal9.jpg" height="300" title="Ingmar Bergman The Seventh Seal still" width="400" /></a></div>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">stills from "The Seventh Seal" by Ingmar Bergman
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDCgrWoqPOdg4UuClSzX_ZpXj75N-dcwjlx3wsMgWuQi-qA6CAQIxW-xS1NNr3bbOYTy5l9Kimw3d3Vj518SgL0S5BdWQKE-Xv1mdpOmaiZ-Kb_SyTMzbBoQUEcjCfcNpK9LPqxXP8kw/s1600/NATO_vs_Warsaw_(1949-1990)cold+war.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDCgrWoqPOdg4UuClSzX_ZpXj75N-dcwjlx3wsMgWuQi-qA6CAQIxW-xS1NNr3bbOYTy5l9Kimw3d3Vj518SgL0S5BdWQKE-Xv1mdpOmaiZ-Kb_SyTMzbBoQUEcjCfcNpK9LPqxXP8kw/s640/NATO_vs_Warsaw_(1949-1990)cold+war.png" height="187" width="640" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhocWwybnvbsoq-ujjssIbGTe84Kg7M7zK2BMSpGBcKpTmHFqL43uDv9pXlyhjCY2xpGOyyXaJvSHhThmdJ2Bh9QhTtES9IfQ1I_pRZ6D1wYsqm4iinRo5Trq7BbaKRQZ69UAnlzioz-w/s1600/Fischer+Spassky+1972.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhocWwybnvbsoq-ujjssIbGTe84Kg7M7zK2BMSpGBcKpTmHFqL43uDv9pXlyhjCY2xpGOyyXaJvSHhThmdJ2Bh9QhTtES9IfQ1I_pRZ6D1wYsqm4iinRo5Trq7BbaKRQZ69UAnlzioz-w/s640/Fischer+Spassky+1972.jpg" height="465" title="Fischer vs. Spassky 1972 chess world championship " width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">the psychoanalysis of a cold war, Fischer vs. Spassky 1972 </span></span></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZqGv2DoXvz-dSF8OP-5XZD8JpogAwW6DJRFh-wJXJlZTpS67FMv8SfM_R-8pBqxB-PJts5U-I9kIZSEWRwpJJcpzjrT01Y4svweE9pl9fdmMcV5RtVWBPSs2tocLZ43cxOFkS02Ymlg/s1600/cage-v-duchamp-toronto-1968-a.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZqGv2DoXvz-dSF8OP-5XZD8JpogAwW6DJRFh-wJXJlZTpS67FMv8SfM_R-8pBqxB-PJts5U-I9kIZSEWRwpJJcpzjrT01Y4svweE9pl9fdmMcV5RtVWBPSs2tocLZ43cxOFkS02Ymlg/s640/cage-v-duchamp-toronto-1968-a.jpg" height="368" title="John Cage Marcel Duchamp chess reunion Toronto 1968" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">John Cage & Marcel Duchamp, "Reunion" performance Toronto 1968 </span></span></td><td class="tr-caption" style="text-align: center;"></td></tr>
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<iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube.com/embed/9yysZTaaFQM?rel=0" width="480"></iframe>
John Cage:
<i>In Zen they say:
If something is boring after two
minutes,
try it
for four.
If
still boring,
try
it for eight,
sixteen,
thirty-two,
and so on.
Eventually one discovers that it’s not
boring at all
but very interesting.
</i><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/jgn1gdvgYQo?rel=0" width="420"></iframe><br />
<span style="font-family: Georgia,"Times New Roman",serif;">Chess & Jazz </span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">Anthony Braxton: <i>Chess is an affirmation of proportional logic, chess is an affirmation of geometry and composition is sonic geometry ... number is also poetic. </i></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjahw_qy9d5XVZ6DKSnDoBv-6GO0GQKngharFuI2lFgu4bIrLjyj1aR2XPsdxtCpbTEm8NOdkVLbeHRJJdFdEuMKQ52ZfHb2NklPWZk9jUY-DYYpyRSKZKqv0QIdbnfl5U0FTPwWP1t7g/s1600/Chess+knight+visits+every+square+once.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjahw_qy9d5XVZ6DKSnDoBv-6GO0GQKngharFuI2lFgu4bIrLjyj1aR2XPsdxtCpbTEm8NOdkVLbeHRJJdFdEuMKQ52ZfHb2NklPWZk9jUY-DYYpyRSKZKqv0QIdbnfl5U0FTPwWP1t7g/s400/Chess+knight+visits+every+square+once.gif" height="400" title="Chess knight visits every square once" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikd6Uu5ssRVFWVhnBCmbP5l7PkhBBte1xRK751liAeY9lX32lXUrg-7n_u0oxdBXE0vXkrBwpmhp08bwusSUcD_a9n_bzs9lvQF0k-8CumrKc-ENE0N2WwHDJAyogpqqnDqddQOHI0kQ/s1600/Duchamp+chess.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikd6Uu5ssRVFWVhnBCmbP5l7PkhBBte1xRK751liAeY9lX32lXUrg-7n_u0oxdBXE0vXkrBwpmhp08bwusSUcD_a9n_bzs9lvQF0k-8CumrKc-ENE0N2WwHDJAyogpqqnDqddQOHI0kQ/s640/Duchamp+chess.jpg" height="361" title="Marcel Duchamp playing chess" width="640" /></a></div>
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Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-63820064080091852612013-02-10T23:13:00.001+01:002014-04-17T18:03:52.079+02:00Major minor Works - A Selected Videography<br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">We reuploaded selected Todeskino works to our YouTube channel<span style="font-size: small;"> <a href="http://www.blogger.com/goog_355726046"> </a></span><a href="http://www.youtube.com/user/todeskino">www.youtube.com/user/todeskino</a><span style="font-size: small;"> </span>in a new rendering with a better codec than DVD quality:</span></span><br />
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<b><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">Todeskino Videography (selection):</span></span></b><br />
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><i>Architectura caelestis</i><span style="font-size: small;"> (New Film <span style="font-size: small;">C</span>onceptions 1) </span>6' 16mm</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink: <a href="http://todeskino.blogspot.co.at/2012/12/architectura-caelestis.html" target="_blank">http://todeskino.blogspot.co.at/2012/12/architectura-caelestis.html</a></span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><br /><i>Black Leader</i><span style="font-size: small;"> 5' </span>8mm/16mm/DV</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink: <a href="http://todeskino.blogspot.co.at/2011/12/black-leader.html">http://todeskino.blogspot.co.at/2011/12/black-leader.html</a></span></span><br />
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><i> Chromophonie I-III (A Cinematic Triptych)</i><span style="font-size: small;"> 2</span>' 16mm/HDV<br /><br /><i>Chromophonie IV-VI "Visions hermétiques"</i><span style="font-size: small;"> </span>21' 16mm/DV<br /><br /><i>Chromophonie VII "Ars combinatoria"</i><span style="font-size: small;"> <span style="font-size: small;">5' </span></span>16mm/DV</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink: <a href="http://todeskino.blogspot.co.at/2012/09/ars-combinatoria.html">http://todeskino.blogspot.co.at/2012/09/ars-combinatoria.html</a><br /><br /><i>Chromophonie VIII "Pinturas negras"</i><span style="font-size: small;"> 3' </span>16mm/DV</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink<span style="font-size: small;">: <a href="http://todeskino.blogspot.co.at/2012/07/pinturas-negras.html" target="_blank">http://todeskino.blogspot.co.at/2012/07/pinturas-negras.html</a></span><a href="http://todeskino.blogspot.co.at/2012/07/pinturas-negras.html" target="_blank"> </a></span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><br /><i>Female Choice</i><span style="font-size: small;"> 4' </span>DV</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink: <a href="http://todeskino.blogspot.co.at/2011/11/female-choice.html" target="_blank">http://todeskino.blogspot.co.at/2011/11/female-choice.html</a><br /><i> </i></span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><i>L'incorporation de la vue</i><span style="font-size: small;"> 8' </span>8mm/16mm/DV<br />weblink: <a href="http://todeskino.blogspot.co.at/2011/12/lincorporation-de-la-vue.html">http://todeskino.blogspot.co.at/2011/12/lincorporation-de-la-vue.html</a><br /><i> </i></span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><i>Le dernier art</i><span style="font-size: small;"> 6' </span>16mm</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblinks: </span></span><br />
<a href="http://www.youtube.com/watch?v=K5XojBtjJDg"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">http://www.youtube.com/watch?v=K5XojBtjJDg</span></span></a><br />
<a href="http://todeskino.blogspot.co.at/2012/04/le-dernier-art-last-art.html"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">http://todeskino.blogspot.co.at/2012/04/le-dernier-art-last-art.html</span></span></a><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"></span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><i>Parataxis</i><span style="font-size: small;"> 19</span>' 16mm/DV</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblinks:</span></span><br />
<a href="http://www.youtube.com/watch?v=E-yu7vFZWVw"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">http://www.youtube.com/watch?v=E-yu7vFZWVw</span></span></a><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><a href="http://todeskino.blogspot.co.at/2012/02/parataxis.html">http://todeskino.blogspot.co.at/2012/02/parataxis.html</a></span></span><br />
<br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><i>Polynome 9936/Polynomials 9936</i> (New Film Conceptions 3) 7' 16mm</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink: <a href="http://todeskino.blogspot.co.at/2014/03/polynome-9936polynomials-9936-new-film.html">http://todeskino.blogspot.co.at/2014/03/polynome-9936polynomials-9936-new-film.html</a><br /><br /><i>Schrödinger-Zentrum 24 Frames Unit Structures</i><span style="font-size: small;"> 3' </span>16mm</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink: <a href="http://www.youtube.com/watch?v=Iycpld8NSgE">http://www.youtube.com/watch?v=Iycpld8NSgE</a><br /><br /><i>Thanatokinesis</i><span style="font-size: small;"><span style="font-size: small;"> </span>8' </span>DV</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink: <a href="http://todeskino.blogspot.co.at/2011/12/thanatokinesis.html" target="_blank">http://todeskino.blogspot.co.at/2011/12/thanatokinesis.html</a><i> </i></span></span><br />
<br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><i>The Lost Works and Masters</i><span style="font-size: small;"> </span>10' 16mm/HDV</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink: <a href="http://todeskino.blogspot.co.at/2012/05/todeskino-at-videoex.html" target="_blank">http://todeskino.blogspot.co.at/2012/05/todeskino-at-videoex.html</a> </span></span><br />
<br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><i>The Shape of Film to Come</i> (New Film Conceptions 2) 14' 16mm </span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink: <a href="http://todeskino.blogspot.co.at/2013/08/the-shape-of-film-to-come.html">http://todeskino.blogspot.co.at/2013/08/the-shape-of-film-to-come.html</a></span></span><br />
<br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><i>Wilhelm Reich</i> 6' 16mm</span></span><br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">weblink: <a href="http://todeskino.blogspot.co.at/2014/04/wilhelm-reich.html" target="_blank">http://todeskino.blogspot.co.at/2014/04/wilhelm-reich.html</a></span></span><br />
<br />
<br />
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">NOTE: new works from<span style="font-size: small;"> </span><i>Visions hermétiques</i><span style="font-size: small;"> </span>on will not be uploaded to the internet any more.<span style="font-size: small;"> Submissions </span>to festivals and distributors <span style="font-size: small;">are</span> <span style="font-size: small;">reserved</span>.<br />For a comprehensive videography listing all works from the <span style="font-size: small;">experimental </span>internet underground period as well as unpublished or lost works see <a href="http://todeskino.blogspot.co.at/2011/10/tc-videography.html">http://todeskino.blogspot.co.at/2011/10/tc-videography.html</a></span></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdjmQHdnAmYWvgpmpFiMkp5wOHecPHET6KcZN3qcof-GkIEvBhgb-ffvP2E1o7fRChwUc-TGw_KwpT32Y12doLh-9rpQ2a3wbG8b8lbNG1S-cA0DRpDCN7C4kZwuTA2D9uSWE-LRFwBQ/s1600/Todeskino+729.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdjmQHdnAmYWvgpmpFiMkp5wOHecPHET6KcZN3qcof-GkIEvBhgb-ffvP2E1o7fRChwUc-TGw_KwpT32Y12doLh-9rpQ2a3wbG8b8lbNG1S-cA0DRpDCN7C4kZwuTA2D9uSWE-LRFwBQ/s400/Todeskino+729.jpg" height="400" width="400" /></a></div>
Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-37063555119863640462012-12-10T15:19:00.001+01:002014-04-24T19:20:44.072+02:00Architectura caelestis<!--[if gte mso 9]><xml>
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<div class="MsoNormal">
<span style="font-family: Georgia; font-size: large;">Todeskino completed the
film <i style="mso-bidi-font-style: normal;">Architectura caelestis</i><span style="font-size: large;">. </span></span><br />
<span style="font-family: Georgia; font-size: large;">Being the first of a new
series called <i style="mso-bidi-font-style: normal;">New Film Conceptions</i>, the
material for the film was shot in the city of Palmanova in northern Italy, one
of the few original european ideal planned cities, built in the late 16th
century.</span></div>
<div class="MsoNormal">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Georgia; font-size: large;">From a central point on
the hexagonal main square there are different zoom shots of the 6 star shaped main roads.
6 pannings of 60 degrees are linking the zoom shots in two turnarounds. </span></div>
<div class="MsoNormal">
<span style="font-family: Georgia; font-size: large;">The duration of each zoom
shot through one position/road as well as the length and therefore velocity of
the pannings are composed after the <i style="mso-bidi-font-style: normal;">Fibonacci
numbers</i> and the <i style="mso-bidi-font-style: normal;">golden section</i>.
After our work <i style="mso-bidi-font-style: normal;">Ars combinatoria</i>, in
this new cycle <i style="mso-bidi-font-style: normal;">New Film Conceptions</i>, we
carry on composing film frame by frame after these architectural principles,
expanding certain structural or metric ideas in the history of avantgarde film.</span></div>
<div class="MsoNormal">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Georgia; font-size: large;">This way of editing mirrors
the space itself like in our film <i style="mso-bidi-font-style: normal;">Le
dernier art</i>, in the case of Palmanova depicting, structurally and
metrically, a <i style="mso-bidi-font-style: normal;">Fibonacci spiral</i> that
is a symbol for a kind of golden proportional celestial or divine architecture
reflecting archetypic forms in the human psyche as well.</span></div>
<div class="MsoNormal">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrOqvuR9nDpI7gdOkw8QeVacyzvdmpgdh9HbUgk7BvRLfSwrfS9c_oEKcr8OCJ45Xt960E5RE078ilKKMZlfKC2U5Utluk88a0duVd-X3VeL-bsdOJmntpAOhMvQ7PeV9_T12yto_LBw/s1600/movgoldenmean.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrOqvuR9nDpI7gdOkw8QeVacyzvdmpgdh9HbUgk7BvRLfSwrfS9c_oEKcr8OCJ45Xt960E5RE078ilKKMZlfKC2U5Utluk88a0duVd-X3VeL-bsdOJmntpAOhMvQ7PeV9_T12yto_LBw/s320/movgoldenmean.gif" height="320" title="fibonacci gif" width="269" /></a></div>
<span style="font-family: Georgia; font-size: large;">The zoom shots follow
different series of 2-3-5-8-13-21 frames, the pannings increase velocity in steps
of 377-233-144-89-55-34 frames, almost geometrically measuring space-time filmically,
transcribing it on to the frame numbers of the film strip, an approach that is
perhaps quite unique in avantgarde cinema. Moreover the zoom shots put together
various jump cut scenes relativating events in the time line,<span style="font-size: large;"> </span>the film is even <span style="font-size: large;">optical printed</span> backwards and extended to 4 turnarounds, like
C.G. Jung explains, in the unconscious everything is taking place simultaneously,
life and death, like waltzing clockwise and counterclockwise. And his colleague
Karl Kerenyi says, we escape the archetypic reeling in the labyrinth of death
and unconsciousness via an aspiration towards the celestial realm (another
metaference to the film reel). All that visionary film can be, and that pure digital cinema
that is not based on framework and analogue material can not be to the same
extend: frenzy, a sometimes enraptured ecstatic experience leaving us in a
whirling, lurching dizziness. <span style="mso-spacerun: yes;"> </span></span><br />
<span style="font-family: Georgia; font-size: large;"><span style="mso-spacerun: yes;">Or to quote the hermetic, alchemic "Emerald Tablet": </span></span><span style="font-size: large;">"That which is below is like that which is above <a href="http://en.wikipedia.org/wiki/Hermeticism#As_above.2C_so_below" title="Hermeticism">that which is above is like that which is below</a> to do the miracles of one only thing."</span></div>
<div class="MsoNormal">
<br /></div>
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<span style="font-family: Georgia; font-size: large;">Palmanova could be seen as
a huge mandala to live in (see bird’s eye view). But for us these symbols are
rather means of <i style="mso-bidi-font-style: normal;">transgression</i> than
neo-religious attemps to reconcile the human psyche with its true „self“ and
collective, transindividual wholeness, a neverending approach according to C.G.
Jung. With transgression we mean a certain possibility of (inner) mythical
experience that is breaking with the cultural forms, but unlike Georges
Bataille, who claims that culture is sustained and completed by what transgresses
it, we want to emphasize on the part of breaking in the original meaning of the
symbol, not on the communication or its suspension (like for instance in
deconstruction).<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7_O2fkPZOS12fADLSu-ldRvDG4KoqIs8JPRDhukFrUWXVRejk-9fcu1X38Y3NBSu9AZGcXkmV3RT0AZAgcLXgQZxt9iK48z5JGQz3qr9XYLO6kSxMleits9O6o4grpFDaa8sO3bRH8A/s1600/Todeskino+golden+section+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7_O2fkPZOS12fADLSu-ldRvDG4KoqIs8JPRDhukFrUWXVRejk-9fcu1X38Y3NBSu9AZGcXkmV3RT0AZAgcLXgQZxt9iK48z5JGQz3qr9XYLO6kSxMleits9O6o4grpFDaa8sO3bRH8A/s640/Todeskino+golden+section+2.jpg" height="640" width="456" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">The golden section and Fibonacci sequence applied to film by Todeskino
</span></span></td></tr>
</tbody></table>
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF7FYQatkB1uFp6L0idwRs8tTxKfrGRGvpcc9sWepQUq7ioEH01-MoXZKrKfWW25tIwDI9PST7sLQxW3YuvbzEk7yB9-3cY7Hy5Rv1EzmD1CINo9dh_zNt6Li1IA2gdA-SYfla2e_FaA/s1600/vlcsnap-105633.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF7FYQatkB1uFp6L0idwRs8tTxKfrGRGvpcc9sWepQUq7ioEH01-MoXZKrKfWW25tIwDI9PST7sLQxW3YuvbzEk7yB9-3cY7Hy5Rv1EzmD1CINo9dh_zNt6Li1IA2gdA-SYfla2e_FaA/s400/vlcsnap-105633.png" height="320" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">still from "Architectura caelestis" by Todeskino
</span></span></td></tr>
</tbody></table>
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd56hhPCNK2A2hPK-dPxN2LDSA2QiruuDWD0MQMdVIiyz7VQEYeO1wUhcuavc0SKRk2XrgSZA3YoE9qgNZTvf668nhhyphenhyphen7OrT-ZV2dXLMUwR0CmGQMycekWIf9hTLzBB91YVPeoPabovQ/s1600/001_palmanova.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd56hhPCNK2A2hPK-dPxN2LDSA2QiruuDWD0MQMdVIiyz7VQEYeO1wUhcuavc0SKRk2XrgSZA3YoE9qgNZTvf668nhhyphenhyphen7OrT-ZV2dXLMUwR0CmGQMycekWIf9hTLzBB91YVPeoPabovQ/s400/001_palmanova.jpg" height="400" title="the city of Palmanova, Italy from bird's eye view " width="398" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">the city of Palmanova, Italy from bird's eye view</span></span>
</td></tr>
</tbody></table>
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7MyjPjHao9-WzvbCDMycKzRZZU8abJlBWkQmda-awcLaRQQWHnaPyYQfhRbSo28r7_5DFEDMBj0hwBWC9kAZmBUocZT3gMUtuVjnlbX4PeVwSV3JXUguqWCjTQBdVlEHR4v7J795uVg/s1600/3636_palmanova_piazza_grande.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7MyjPjHao9-WzvbCDMycKzRZZU8abJlBWkQmda-awcLaRQQWHnaPyYQfhRbSo28r7_5DFEDMBj0hwBWC9kAZmBUocZT3gMUtuVjnlbX4PeVwSV3JXUguqWCjTQBdVlEHR4v7J795uVg/s400/3636_palmanova_piazza_grande.jpg" height="400" title="Palmanova, the hexagonal "piazza grande" " width="396" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Palmanova, the hexagonal "piazza grande"
</span></span></td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_pngxkt16GArcTV2deVl9LqwI429GNLf9Bmhmumn8PXpcLVZUJIBNvVBNJWZIu3NX7X5GFs2ztpMkD038qCiWNZW6iP8W3wTmyN3RncOIhXDqfXTXY1h4Mr0gOxGE6q5VYwXmaaiQ2Q/s1600/braun_hogenberg_V_68_b.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_pngxkt16GArcTV2deVl9LqwI429GNLf9Bmhmumn8PXpcLVZUJIBNvVBNJWZIu3NX7X5GFs2ztpMkD038qCiWNZW6iP8W3wTmyN3RncOIhXDqfXTXY1h4Mr0gOxGE6q5VYwXmaaiQ2Q/s400/braun_hogenberg_V_68_b.jpg" height="306" title="old city maps of Palmanova " width="400" /></a></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhxNTbr_pt01ocdosnBcBoiecEgY74VObeJ-sgqCthxA9AoSBjy-RCNQC_Bgblmb05_5o4JHksOZDKgx_Es5uFy6LSLVaNRub2Rz85jEOU1aaj0_dmXTf-Yxab9o-dMNrvw_HdjSlHbQ/s1600/palmanov.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhxNTbr_pt01ocdosnBcBoiecEgY74VObeJ-sgqCthxA9AoSBjy-RCNQC_Bgblmb05_5o4JHksOZDKgx_Es5uFy6LSLVaNRub2Rz85jEOU1aaj0_dmXTf-Yxab9o-dMNrvw_HdjSlHbQ/s400/palmanov.jpg" height="400" title="old city maps of Palmanova " width="367" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">old city maps of Palmanova
</span></span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmrV9be88Hn8pr3F0Z5bVp_JsIEB20zzbLbDuTgGqHRqUKPe1BeOyd-1qnotpNe5nEfPTZKB3DEFNFk0hpg62Neqfgt0qGXdkm09qVYpJQejxSuP4H3sVdr_tK3gBDnZcA2SiqNVzZGQ/s1600/Chartres+cathedral+stained+glass+window.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmrV9be88Hn8pr3F0Z5bVp_JsIEB20zzbLbDuTgGqHRqUKPe1BeOyd-1qnotpNe5nEfPTZKB3DEFNFk0hpg62Neqfgt0qGXdkm09qVYpJQejxSuP4H3sVdr_tK3gBDnZcA2SiqNVzZGQ/s400/Chartres+cathedral+stained+glass+window.jpg" height="370" title="stained glass window of the cathedral of Chartres " width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">stained glass window of the cathedral of Chartres
</span></span></td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
</div>
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</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsevgTlm4zX6shlxCAcPfMsYqUmSeaBNTlZ5MA7ubCPOpKiFIkMFowaZvEPMtpNNSZDNFhyDX5nVl7oEfVZrg3qR_fLSTq4kEp1wHqiTMVKdyvAj8V1cR729_VRhIhy1YgEM0g02YWvA/s1600/DNA+cross+section.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsevgTlm4zX6shlxCAcPfMsYqUmSeaBNTlZ5MA7ubCPOpKiFIkMFowaZvEPMtpNNSZDNFhyDX5nVl7oEfVZrg3qR_fLSTq4kEp1wHqiTMVKdyvAj8V1cR729_VRhIhy1YgEM0g02YWvA/s400/DNA+cross+section.jpg" height="400" title="the mandala like cross section through the human DNA" width="356" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7cS_GPdtj0AcAuLZD57zoyS1cFZxwmFwRSbq_qDEIDTSUd_OWt1r1FkGjJIw_PAO1j6VpeMChd0ZqRgUw0yhiIqIgO76k592Eg9hajCXDywP2nhYLs6HCJGey01kSdI1tO99xfV8XPQ/s1600/golden-ratio-DNA.gif" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7cS_GPdtj0AcAuLZD57zoyS1cFZxwmFwRSbq_qDEIDTSUd_OWt1r1FkGjJIw_PAO1j6VpeMChd0ZqRgUw0yhiIqIgO76k592Eg9hajCXDywP2nhYLs6HCJGey01kSdI1tO99xfV8XPQ/s400/golden-ratio-DNA.gif" height="189" title="fibonacci in DNA" width="292" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">the mandala like cross section through the human DNA</span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">the Fibonacci sequence in the human skeleton: </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9anK1IDGS0mlkyC0ftmPgDEJ2p2vxTeV6zF-3wOiUUMKdK-UV3RvMM-rTkLeGi_3KoNvQ0U9azudTUhVYDssq3o8UNfD3qQYRsFCx-C6k3-sR97wcpkeMru6Di1Zq0EX3W9LXl2odVg/s1600/golden+ratio+human+skeleton+hand.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9anK1IDGS0mlkyC0ftmPgDEJ2p2vxTeV6zF-3wOiUUMKdK-UV3RvMM-rTkLeGi_3KoNvQ0U9azudTUhVYDssq3o8UNfD3qQYRsFCx-C6k3-sR97wcpkeMru6Di1Zq0EX3W9LXl2odVg/s640/golden+ratio+human+skeleton+hand.jpg" height="640" width="422" /></a></div>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"> </span></span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwLuXXlT2qyH0WpqG8BX0YDUb4KQ9WqoR9yPN0FBWbeX0uozpcjU68JH9UZ32EaFfruwCmPBxVPEgE7fmKpBgpP-yV67gAT9j9NAY2tsckL9RKSQb635nLnsb1xIl15DQvow2T_J_niA/s1600/Le+Corbusier+Modulor.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwLuXXlT2qyH0WpqG8BX0YDUb4KQ9WqoR9yPN0FBWbeX0uozpcjU68JH9UZ32EaFfruwCmPBxVPEgE7fmKpBgpP-yV67gAT9j9NAY2tsckL9RKSQb635nLnsb1xIl15DQvow2T_J_niA/s640/Le+Corbusier+Modulor.jpg" height="640" title="Modulor by Le Corbusier" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">"Modulor" by Le Corbusier, attempt to base modern architecture on
objective measures according to the golden ratio and the human body
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyBWIi2-QrH_EkSArXnFf1HGYMLBs8O6rbSBouiTpMr_cnhjJjxCIacdvgdLXF0NcqIapNXD1TDUeuyWlQVwOOagiRnP0NBjVmjYHB8Yh-jK5FANWFugQoVMFLf4W8Q3e5Odm1seUpEg/s1600/agrippa_nettesheim_occulta_philosophia_goldener_schnitt_proportionen_menschen_2.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyBWIi2-QrH_EkSArXnFf1HGYMLBs8O6rbSBouiTpMr_cnhjJjxCIacdvgdLXF0NcqIapNXD1TDUeuyWlQVwOOagiRnP0NBjVmjYHB8Yh-jK5FANWFugQoVMFLf4W8Q3e5Odm1seUpEg/s400/agrippa_nettesheim_occulta_philosophia_goldener_schnitt_proportionen_menschen_2.jpg" height="375" title="agrippa von nettesheim pentagram" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">man in the pentagram that draws the golden section, Agrippa von Nettesheim, De occulta philosophia, early 16th century
</span></span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoC1Lu26Tmx5IjUUTYbdg9_Hse7CoIYP1FTnXiqbHMIWPcbgPusw0h8DpCaBv44Fl6sWPZwhv8GlzFg4jo7C6ycR_0uhzgEGEsTyAH3WcKKvnLZ0Xzk_sXiQaCU78JcXqfSOUfAPTlWg/s1600/parthenon+golden+section+ratio.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoC1Lu26Tmx5IjUUTYbdg9_Hse7CoIYP1FTnXiqbHMIWPcbgPusw0h8DpCaBv44Fl6sWPZwhv8GlzFg4jo7C6ycR_0uhzgEGEsTyAH3WcKKvnLZ0Xzk_sXiQaCU78JcXqfSOUfAPTlWg/s640/parthenon+golden+section+ratio.jpg" height="330" title="Parthenon golden section ratio" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">it is well known that in the history of architecture many of the most
famous and "beautiful" buildings were constructed after the golden
ratio, for instance the pyramids of Gizeh, the Parthenon, the gothic
cathedrals of Notre Dame Paris or Chartres, the Taj Mahal ...
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyeEn3lAoesVpldoD1svQrcrUuVq2RK3XVMNHtraz3UXh-raU8kifIVmWuRGP2mpZfLz9-tJTDSxS92AaUvzxynzEumKCg4bD3c-7cjMgNHTvxkgFBNhs_m-eTEceoY1Th5pBV6kxK6w/s1600/Nautilus+Fibonacci+golden+ratio.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyeEn3lAoesVpldoD1svQrcrUuVq2RK3XVMNHtraz3UXh-raU8kifIVmWuRGP2mpZfLz9-tJTDSxS92AaUvzxynzEumKCg4bD3c-7cjMgNHTvxkgFBNhs_m-eTEceoY1Th5pBV6kxK6w/s400/Nautilus+Fibonacci+golden+ratio.jpg" height="400" title="Nautilus Fibonacci golden ratio" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">the Fibonacci spiral in nature, the Nautilus</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMEoNFHlVicaDCD0RTxOJ7Rhtm-Ioxy0AuwNxc0ba24AhfbDBCljY9ZETOWM92Al2_QpPvqXbLD4xJh7BHn_j4WjFLpDLjL8Thl6NpaChYlTdxb7WJprKPOBphuYwu-RdX4gn-D_XxTQ/s1600/Mona_Lisa_golden-ratio.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMEoNFHlVicaDCD0RTxOJ7Rhtm-Ioxy0AuwNxc0ba24AhfbDBCljY9ZETOWM92Al2_QpPvqXbLD4xJh7BHn_j4WjFLpDLjL8Thl6NpaChYlTdxb7WJprKPOBphuYwu-RdX4gn-D_XxTQ/s640/Mona_Lisa_golden-ratio.jpg" height="640" title="mona lisa golden ratio" width="422" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">the Fibonacci spiral and golden section in art, Leonardo da Vinci's "Mona Lisa" and Michelangelo's "The Creation of Adam" </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWgQiSpkFOl_bELVJCHEEzuPONWS45Dbb43VkwhvWNkvLFgBWPY0FvWqag-Ybp_T-EcFrjpZUQJOp_tI5NPeGYjZXA3eisevwVhNYVVQqVYlUmlTT_5B6Ya8UGOHIJhtP5sR8-L4UpFw/s1600/Michelangelo+Adam+golden+section+ratio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Michelangelo Adam Goldener Schnitt" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWgQiSpkFOl_bELVJCHEEzuPONWS45Dbb43VkwhvWNkvLFgBWPY0FvWqag-Ybp_T-EcFrjpZUQJOp_tI5NPeGYjZXA3eisevwVhNYVVQqVYlUmlTT_5B6Ya8UGOHIJhtP5sR8-L4UpFw/s640/Michelangelo+Adam+golden+section+ratio.jpg" height="289" title="Michelangelo Adam golden section ratio" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXoDmOtGu2Y9fx7isGsYohMtgQaPqrdzA0o9yUPe7gZLehTQu4wTAecfECkx_8m22YNmlJeYiyhsuAZ9tkd4qPq3ilMyIWIVdRaO7cZGNYKDAt6E_FgyWnoLkY6gDxwAXYxYr1vgLc_g/s1600/William+Blake+Newton+Fibonacci+golden+section.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXoDmOtGu2Y9fx7isGsYohMtgQaPqrdzA0o9yUPe7gZLehTQu4wTAecfECkx_8m22YNmlJeYiyhsuAZ9tkd4qPq3ilMyIWIVdRaO7cZGNYKDAt6E_FgyWnoLkY6gDxwAXYxYr1vgLc_g/s640/William+Blake+Newton+Fibonacci+golden+section.jpg" height="400" title="William Blake Newton Fibonacci golden section" width="640" /></a></div>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">William Blake, "Newton" </span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMsKwSuaieQIZ_-oaj46d0mQcTLBnmmrasJZ5QVOlzytPmdy9UrJXnCYAkSH85VRlso2NRFHNT7A0MPOZ3KJYXoV3DIGWPjTjNkfeEeBsl8r9m8s9JTYMBYkli1ZIGb_p2aoNm3_7XMw/s1600/William+Blake+Newton+Fibonacci+golden+ratio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMsKwSuaieQIZ_-oaj46d0mQcTLBnmmrasJZ5QVOlzytPmdy9UrJXnCYAkSH85VRlso2NRFHNT7A0MPOZ3KJYXoV3DIGWPjTjNkfeEeBsl8r9m8s9JTYMBYkli1ZIGb_p2aoNm3_7XMw/s640/William+Blake+Newton+Fibonacci+golden+ratio.jpg" height="400" title="William Blake Newton Fibonacci golden ratio" width="640" /></a></span></span></div>
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Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-11622079978645553962012-12-10T15:19:00.000+01:002014-04-24T19:20:59.051+02:00New Film Conceptions 1<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixbm1VxU8N-WXm2ebHVN8F78vmRCnnK1qB6JP-aq72NPdJzduKP84OUUGdhuLB-jzBcpb3oUFkGL7zhmgvvE7bJ5bNJsjRaAEn4kzBu_Ask0BevISTyrgkkliVD9oJtrpISo-g1nQrUg/s1600/Todeskino+golden+section.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixbm1VxU8N-WXm2ebHVN8F78vmRCnnK1qB6JP-aq72NPdJzduKP84OUUGdhuLB-jzBcpb3oUFkGL7zhmgvvE7bJ5bNJsjRaAEn4kzBu_Ask0BevISTyrgkkliVD9oJtrpISo-g1nQrUg/s640/Todeskino+golden+section.jpg" height="640" width="454" /></a></div>
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">the golden ratio and Fibonacci numbers applied to film by Todeskino </span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">stills from Todeskino's <i>New Film Conceptions</i> 1 - "Architectura caelestis"</span></span><br />
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">"…I don't think that 'first' is important, I think it's that it's the first time for you… I mean, that's what originality is all about, because the first sound made was all the music that's ever gonna be played, that's it, that sound, the first sound made had all the notes that there are, so there's nothing about being the first. But being original has to do with it never having been done this way …"
— Sonny Sharrock</span></span><br />
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Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-61598609622232773872012-09-18T18:06:00.000+02:002014-04-24T19:21:38.690+02:00Ars combinatoria<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;">Todeskino finished part 7 of the <i>Chromophony</i> series</span><br />
<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;"><br /></span>
<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;"><i>Chromophonie VII - Ars combinatoria</i> </span><br />
<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;"><br /></span>
<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;">To our knowledge of film history which is quite profound, it's probably unique that this piece is composed after the principles of the GOLDEN SECTION. As we already pointed out earlier, a constant geometric architectonic treatment of measure on the film strip itself is still to be done regarding the art of avantgardistic film. The advancements of what is called structural or metric film is a beginning that confronts us with composing film frame by frame or even continously deframed like the soundtrack (visual sound) after principles like for instance GEMATRIA in the frame numbers applied in former projects and in this piece again, as well as now and for the future after principles like the GOLDEN SECTION or the FIBONACCI NUMBERS. These "classic" means of construction have been well applied perhaps in all art forms in multifarious ways also by the avantgarde as a possibility to evoke affections of a certain "beauty" as well as spiritual perceptions. But in film combinatorics have scarcley been explored, not to speak of the Golden Section. For instance a somewhat "ideal" measure of duration for a section in film - e.g. the ordinary film second 24 frames - would be 15 to 9 frames (see illustrations).</span><br />
<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;">Furthermore the entire film is composed, even more than "Le dernier art/The Last Art", after a score, like music. The basic elements are 6 colours of the spectrum, to each colour corresponds a sine wave, the most basic and pure sound, to the white light summing up all colours of the spectrum corresponds the WHITE NOISE. Clear leader lets the white light pass, whereas black leader means the absence of light and colour. The colours are handpainted on clear leader with acrylic ink to achieve outstanding luminous colours. The basic geometric shapes circle, triangle, rectangle/square as well as free forms are bleached into the black leader, then filled out by hand with colours. These arrangements of colours, shapes and sounds go through transformations of all possible combinations. The film ends in green or f (352 Hz), according to Kandinsky the colour of accomplished "indifference".</span><br />
<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;"><br /></span>
<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;">pages from the film score</span><br />
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<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;">stills from <i>Chromophonie VII - Ars combinatoria</i> by Todeskino</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjscHEgNcE12xi7xEQp5ykFCVy1IIMcemRQjm89t1yxsZ7DnvuceaPK-daHGKNEhxxGmD7-iO2FzoRtflf2yyyIdmanaP50DQX09WNUbPuPC5adSckhCaA-QpXQe4FCXxNv6OUXZkRsRA/s1600/kandinsky+basic+shapes+colours+correspondence.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjscHEgNcE12xi7xEQp5ykFCVy1IIMcemRQjm89t1yxsZ7DnvuceaPK-daHGKNEhxxGmD7-iO2FzoRtflf2yyyIdmanaP50DQX09WNUbPuPC5adSckhCaA-QpXQe4FCXxNv6OUXZkRsRA/s320/kandinsky+basic+shapes+colours+correspondence.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Kandinsky, <span style="font-size: small;">the </span>3 basic <span style="font-size: small;">colours</span> and <span style="font-size: small;">shapes</span> (1923)</span></span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVSDh884toeivu0a8bK_97Iv1VK8JKYOip8uReD8tQs-NTncx9fDYkgUTJodjX53udnkUfA4gccF9zxTddA4Dyf52SFCEZxZXhEshZpXNX0nilEzK5Hp86zvaa5XtRb1EBBm8yD8G2jQ/s1600/colour+shape+correspondence+batz.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVSDh884toeivu0a8bK_97Iv1VK8JKYOip8uReD8tQs-NTncx9fDYkgUTJodjX53udnkUfA4gccF9zxTddA4Dyf52SFCEZxZXhEshZpXNX0nilEzK5Hp86zvaa5XtRb1EBBm8yD8G2jQ/s320/colour+shape+correspondence+batz.JPG" /></a><br />
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<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">Eugen Batz,<span style="font-size: small;"> correspondence betwee<span style="font-size: small;">n colours and shapes</span></span> (1929/30)</span></span><br />
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<span style="font-size: small;"><span style="font-family: Georgia;">In
Architektur und Bildender Kunst wird das Prinzip des Goldenen Schnitts seit
tausenden Jahren angewandt. Der Film <i>Ars
combinatoria</i> ist wahrscheinlich die erste Arbeit, die dieses mathematische
Prinzip, das eine mysteriöse Schönheit evoziert, auf die Filmkunst und das
Filmmaterial anwendet. Solcherart entsteht eine neue Perspektive und Konzeption
für den strukturalen oder metrischen Avantgardefilm. Der Film ist Kader für
Kader nach einer Partitur komponiert und die Verhältnisse der Kaderzahlen, in
anderen Worten der Dauern, folgen dem Goldenen Schnitt oder den eng verwandten
Fibonacci Zahlen. (Zum Beispiel ein solches „ideales“ Längenmaß für die Dauer
eines Filmabschnitts – die Filmsekunde 24 Frames – wäre 15 zu 9 Kader).
Arrangements von Grundfarben des Spektrums, geometrische Grundformen (handcoloriert
auf Film) und dazu korrenspondierende Sinuston Frequenzen passieren
Transformationen in allen möglichen Kombinationen, wie in der seriellen
Komposition.</span></span></div>
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<span style="font-size: small;"><span style="font-family: Georgia;">Synopsis
in english:</span></span></div>
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<span style="font-size: small;"><span class="style6"><i><span style="font-family: Georgia;">In architecture and fine arts the
principle of the Golden Section is well known and used for thousands of years.
The film „Ars Combinatoria“ is most likely the first work applying this
mathematical principle, that is evoking a mysterious beauty, to the film art
and material. This adds a new perspective and conception to what is known as
structural or metric avantgarde film. The film is composed frame by frame and
the proportions of the frame numbers, in other words the durations, follow the
Golden Ratio or the closely related Fibonacci numbers. (</span></i></span><i><span style="font-family: Georgia;">For instance a somehow "ideal" measure of duration for a
section in film - e.g. the ordinary film second 24 frames - would be 15
to 9 frames).<span class="style6"> </span>Arrangements of basic spectral colours,
geometric shapes (handpainted on film) and corresponding sine wave sounds go
through transformations of all possible combinations like in serial
composition.</span></i></span></div>
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Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-54713822276922192842012-07-05T17:12:00.000+02:002014-04-24T19:21:50.406+02:00Pinturas negras<br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Todeskino completed the handpainted film "Chromophonie VIII - Pinturas negras". By using a similar palette of earthy and blue-greyish hues dominating, the work is referring to the series of paintings that the late Francisco Goya (1746-1828) painted on the walls of his house "La quinta del sordo" between 1819 and 1823. Red only appears occasionally when blood is shed. Retiring to the countryside after an eventful artist life as a painter for the spanish court, the deaf Goya painted this cycle of pictures just for himself. With this inner directed late style of his and the drab, gloomy, existential sujets haunting like nightmares or expressive visions, he became one of the forefathers of modernity.</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Todeskino is now in a situation where this reference is helpful, because all new film or video works <span style="font-size: large;">will be rel<span style="font-size: large;">e<span style="font-size: large;">ased very selectively</span></span> in<span style="font-size: large;">to </span></span>the contemporary forms of art presentation<span style="font-size: large;"> </span>and<span style="font-size: large;"> </span>not uploaded to the internet any mor<span style="font-size: large;">e.</span></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">(</span></span><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">The
art of classical chinese shadow and puppet theatre for instance, is not
performed for humans but as an offering for the gods. That left an
important mark on my/our own understanding, hearing and witnessing this
recently in Paris, that's what was always the case with my/our art too, and
here I/we felt reminded again and overcame the sickness all
these years regarding the worlds of the contemporary art scenes - my/our films are not
made or shown for the people, but for MAN<span style="font-size: small;">CREATED</span> GODS.)*</span> </span></span></span></span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">As a soundtrack we chose ancient greek music from Gregorio Paniagua's singular recording that presented the only surviving fragments on inscriptions, papyri etc. The second piece we used is a transcription of the beginning of Pindar's first pythic ode by Athanasius Kircher.<span style="font-size: large;"> </span>In greek mythology Apollon, although god of light and guide of the muses and artists, also had a byname "the black" (mélano<span style="font-size: large;">s</span>). Like with his egyptian pendant Horus the luciferian gift of light is also surmounted essentially by a certain darkness.</span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixJiRsphbGL0ERNOe0pRKQ6cp1yDc8rr3qKLUW7UMOJNubjNUf3FXAbJ79wQTV3cFdSXpiaLWX8f3Nn9TZC8PEnNB29ZZrdySGkIBE1NzCHas75VbyDGlq_x6Jthqo4H742p4_g8LVCw/s1600/Todeskino+Pinturas+Negras.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixJiRsphbGL0ERNOe0pRKQ6cp1yDc8rr3qKLUW7UMOJNubjNUf3FXAbJ79wQTV3cFdSXpiaLWX8f3Nn9TZC8PEnNB29ZZrdySGkIBE1NzCHas75VbyDGlq_x6Jthqo4H742p4_g8LVCw/s640/Todeskino+Pinturas+Negras.png" height="512" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">still from "Chromophonie VIII - Pinturas negras" by Todeskino
</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjYT8jHUercEbTK-0O7GV1ZUdNaJrRjlKAYnBQWdDs-mqqV0fIvu02dTscCaze0fZ1nI65PBYpjkcPXyiZhGBrPefv_7M5y5uTu0mSWj_zqVZug-_rcUJoenNugm0ZXdbVQ-BIk2RmsA/s1600/El_Aquelarre.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjYT8jHUercEbTK-0O7GV1ZUdNaJrRjlKAYnBQWdDs-mqqV0fIvu02dTscCaze0fZ1nI65PBYpjkcPXyiZhGBrPefv_7M5y5uTu0mSWj_zqVZug-_rcUJoenNugm0ZXdbVQ-BIk2RmsA/s640/El_Aquelarre.jpg" height="195" title="goya black paintings" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">the sabbath scene from Goya's cycle
</span></span></td></tr>
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<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuhp3VyAmh6zPGj-xC7_FleweQtgkJYO9rfAcunGopH7DKePR3scpWpyI_eFtaICkQqSjKEOqJpNosVx_d1rn2GKBei3hGVGwJMngG5Y2Tgo7_iEUlvWjt2isbCDuP_aoErnL-UhADiA/s1600/Atropos_o_Las_Parcas.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuhp3VyAmh6zPGj-xC7_FleweQtgkJYO9rfAcunGopH7DKePR3scpWpyI_eFtaICkQqSjKEOqJpNosVx_d1rn2GKBei3hGVGwJMngG5Y2Tgo7_iEUlvWjt2isbCDuP_aoErnL-UhADiA/s640/Atropos_o_Las_Parcas.jpg" height="292" title="goya black paintings" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">floating haggish fates
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEeUjASZ7HMOcy8Jul4D8fgV3qrhQ-0_Gcx-Wd1aUoCJv-cLXhOYqbZp_XvECPuKAvSdK8P1LfRNrGCtNWqVhU63feHARqlbW7XrmEktksv-GEcQBIGLu3e6Azhf0mnGLHoQW_xtuDYQ/s1600/Viejos_comiendo_sopa.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEeUjASZ7HMOcy8Jul4D8fgV3qrhQ-0_Gcx-Wd1aUoCJv-cLXhOYqbZp_XvECPuKAvSdK8P1LfRNrGCtNWqVhU63feHARqlbW7XrmEktksv-GEcQBIGLu3e6Azhf0mnGLHoQW_xtuDYQ/s640/Viejos_comiendo_sopa.jpg" height="369" title="goya black paintings" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjml2GyoX7AQ2x9AgZb1aoZBwOizx71wpDGEpYMRbOXdhoBJrTpP9iUJN835yzeoEYl3OEBSP-vOd__UpOCdVNEPdd59qeWY16EMVl9ihZj4GGA2XslaiXrgCmDRQESPfLe4dA-sPEvSQ/s1600/goya+pinturas+negras+saturn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjml2GyoX7AQ2x9AgZb1aoZBwOizx71wpDGEpYMRbOXdhoBJrTpP9iUJN835yzeoEYl3OEBSP-vOd__UpOCdVNEPdd59qeWY16EMVl9ihZj4GGA2XslaiXrgCmDRQESPfLe4dA-sPEvSQ/s640/goya+pinturas+negras+saturn.jpg" height="640" title="goya black paintings" width="348" /></a></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZFuG3sHSV_wn_D7_LfeSdG1ZrV5nO28XN9PJKDNlx1CiTp25eH6LbHKzkvSY1LFLSivfLmSKiKptoF5CEzx2j4RNKgz55mZhWriC4eMU_-gUImX_sdEaDHNtwKkH5FZ3P19jeGo9PoQ/s1600/Quinta_del_Sordo_1900.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="la quinta del sordo" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZFuG3sHSV_wn_D7_LfeSdG1ZrV5nO28XN9PJKDNlx1CiTp25eH6LbHKzkvSY1LFLSivfLmSKiKptoF5CEzx2j4RNKgz55mZhWriC4eMU_-gUImX_sdEaDHNtwKkH5FZ3P19jeGo9PoQ/s640/Quinta_del_Sordo_1900.jpg" height="512" title="goya black paintings" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">la "quinta del sordo"</span></span><br />
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<br />
<div style="text-align: left;">
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">*<span style="font-size: large;">Auch die<span style="font-size: large;"> unabhängige<span style="font-size: large;"> </span>amerikanische </span>Gen<span style="font-size: large;">eration der sog. "Abstrakten<span style="font-size: large;"> </span>Expressionisten" produzi<span style="font-size: large;">erte nicht von ungefähr eine Reihe von "Black Paintings". </span>Ein<span style="font-size: large;">ige </span>Auss<span style="font-size: large;">agen des eigen<span style="font-size: large;">brötlerischen, c<span style="font-size: large;">é</span>zannenesken <i>Clyfford Still</i> steh<span style="font-size: large;">en</span> hier, auch im Hinblick auf Goya, <span style="font-size: large;">für mich/uns Pate:</span></span></span> </span></span></span></span></div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;"><span style="font-size: large;"><span style="font-size: large;"><i>Bilder seien nicht<span style="font-size: large;"> nur dazu da in <span style="font-size: large;">S</span>chulen eingeteilt, in Museen prä<span style="font-size: large;">s</span>entiert zu werden, Päpste und Könige zu glorifizieren und die Wände der Reichen zu schmücken<span style="font-size: large;">, so Still.</span> </span>"Man gewöhnt sich daran, allein zu sein, ohne es zu merken.<span style="font-size: large;"> </span>Ich habe meine eigene Art der Emanzipation geschaffen." Still sprach davon, daß er "alle</i><span style="font-size: large;"><i> kulturellen Opiate der Vergangenheit und der Gegenw</i><span style="font-size: large;"><i>art zu durchbrechen und ein direktes</i><span style="font-size: large;"><i>, unmittelbares, wirklich freies Sehen </i><span style="font-size: large;"><i>zu erreichen suche." Sowohl für Rothko als auch für Still war die Malerei keine rein ästhetische<span style="font-size: large;"> </span>Disziplin mehr, sondern ein "Instrument" des Menschen, mittels dessen er sich unbeirrt einen Freiraum zur persönlichen Emanzipation schaffen konnte, damit "der ganze Mensch ohne kulturelle Verstellung ex<span style="font-size: large;">i</span>stieren kann." Malen drückte etwas aus bz<span style="font-size: large;">w. schuf etwas<span style="font-size: large;">, was außerhalb von Geschichte un<span style="font-size: large;">d Gesellschaft stand.</span></span></span></i></span></span></span></span></span></span></span></span></span></div>
<div style="text-align: left;">
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;"><span style="font-size: large;"><span style="font-size: large;"><span style="font-size: large;"><span style="font-size: large;"><span style="font-size: large;"><span style="font-size: large;">mit Veränderungen zitiert nach Breslin, <i>Mark Rothko, Eine Biographie</i>, Ritter Klagenfurt, S<span style="font-size: large;">. 288ff.</span> </span></span></span></span></span></span></span></span></span> </div>
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<br />Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-36035820209571957832012-06-14T14:40:00.000+02:002014-04-24T19:22:09.893+02:00The Todeskino color circle<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhluL298vJpKZqfepsU7g5TFQg7M-3LSs-DtMqRQhUEAWq970uCbZOE40b39uun9xzAogLDJTrFnjkl-t5tBCT6E1USetpsOOkaYKxEBnKefcJYB2-DqNFy-HxB2Z7GjyQ2vAJBPjgLxg/s1600/Todeskino+color+circle.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhluL298vJpKZqfepsU7g5TFQg7M-3LSs-DtMqRQhUEAWq970uCbZOE40b39uun9xzAogLDJTrFnjkl-t5tBCT6E1USetpsOOkaYKxEBnKefcJYB2-DqNFy-HxB2Z7GjyQ2vAJBPjgLxg/s400/Todeskino+color+circle.jpg" height="292" width="400" /></a>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Quod est inferius est sicut quod est superius, et quod est superius est sicut quod est inferius, ad perpetranda miracula rei unius. (Tabula Smaragdina)</span></span>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwZGDkAaQXG2LSXBkM8267DogncuD3idGLnM2BzgzgODB13FMl573vvhJUTvLOZV7B6NF-kuKkUf2utVyi9_60FkacIw1oBePK3j8jT6Qf4qP9Wher7quivsIg5g1jToSe9vSVLiAPJg/s1600/Ouroboros-and-solomons-seal-woodcut.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwZGDkAaQXG2LSXBkM8267DogncuD3idGLnM2BzgzgODB13FMl573vvhJUTvLOZV7B6NF-kuKkUf2utVyi9_60FkacIw1oBePK3j8jT6Qf4qP9Wher7quivsIg5g1jToSe9vSVLiAPJg/s400/Ouroboros-and-solomons-seal-woodcut.jpg" height="400" width="396" /></a>
<a href="http://codewelt.com/proj/speak?lang=de&text=Arago%20sagte:%20Wer%20au%C3%9Ferhalb%20der%20reinen%20Mathematik%20das%20Wort%20%C2%84unm%C3%B6glich%C2%93%20ausspricht,%20dem%20fehlt%20es%20an%20Weisheit.">http://CodeWelt.com/proj/speak?lang=de&text=Arago%20sagte:%20Wer%20au%C3%9Ferhalb%20der%20reinen%20Mathematik%20das%20Wort%20%C2%84unm%C3%B6glich%C2%93%20ausspricht,%20dem%20fehlt%20es%20an%20Weisheit.</a><br />
<br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">(copy this ULR into your browser or use the hyperlink and a speech synthesizer will read the sentence above to you)</span></span>Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-19318013472546751762012-05-28T10:02:00.000+02:002014-04-24T19:22:28.662+02:00Todeskino at VIDEOEX<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">"The Lost Works and Masters" is screening at the VIDEOEX Festival Zürich Switzerland</span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">monday and tuesday, 28./29. 5. 2012 </span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://www.videoex.ch/videoex2012/subprog.php?subprog_id=443&prog_id=116" target="_blank">the program of the festival</a></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">H</span>ere again the description of "The Lost Works and Masters" that has been mistranslated so cutely by the videoex festival:</span></span><br />
<i><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">The structures of the human self are breaking at the dike of a
fundamental solitude, and the dreams, the ephemeric visions of mind in
its corporal mode are nothing but the traces of its broken shells, left
behind on the shores of reason. They may be significant products of the
unconscious but, what is more important, they are the blind testimonies
of the only act that exists in nature, the act of breaking of reality
that is the only reality as it appears. The feeling of that singular
loneliness is the one desire of the illusive self, its symbolic
relativity in a simultaneous space and time, the desert of being.</span></span></i><br />
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Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-28978002266153703082012-05-11T19:44:00.000+02:002014-04-24T19:22:42.710+02:00Todeskino installation at the Museumsquartier Vienna<iframe allowfullscreen="" frameborder="0" height="400" mozallowfullscreen="" src="http://player.vimeo.com/video/39578070" webkitallowfullscreen="" width="500"></iframe>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">
3 minute edit of "Incorporation de la vue" for an installation with the film class of the Kubelka school for independent film</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="https://vimeo.com/39578070">https://vimeo.com/39578070</a></span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">installed at the Museumsquartier Vienna, EIKON window/quartier21, Electric Avenue</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">from 9.5. until 29.8. 2012, daily from 10am to 10pm</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">opening, Tuesday, 8.5. 2012, 7pm</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://www.mqw.at/">http://www.mqw.at/</a></span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://www.eikon.at/">http://www.eikon.at/</a></span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://www.schulefriedlkubelka.at/filmschule/en/">http://www.schulefriedlkubelka.at/filmschule/en/</a></span></span><br />
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Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-45696290030877682562012-04-15T18:13:00.001+02:002014-04-24T19:22:54.342+02:00U_N_D_E_R_G_R_O_U_N_D A_N_A_L_O_G_U_E<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Todeskino, handpainted films at the Shelter Vienna</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">3/5/2012, 21:30 - open end</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">an analog indie/exp/avantgarde/underground film screening or projection FilmJay set programmed by Florian Gehrer and Todeskino</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">showcasing the film art of the KUBELKA SCHOOL FOR INDEPENDENT FILM, Vienna and its students</span></span><br />
<a href="http://www.unabhaengigerfilm.at/en/"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">http://www.unabhaengigerfilm.at/en/</span></span></a><br />
<a href="http://www.unabhaengigerfilm.at/en/school/students/"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">http://www.unabhaengigerfilm.at/en/school/students/</span></span></a><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">and a live band</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">in the spirit of the original "underground", the free visionary film medium and the visual and acoustic nervous interferences</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">organization, concept und programming by Florian Gehrer and Todeskino</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiRsaD8Phl3JsPI92uoHEMJ1ep9vwInwyAqnEiDVenB8-r4COlLpYkZA1dciOqnUKDYRTYi1T1r4aGDyHuLvJrgvUqOIaoFIepw5NFJsjhVw167cBjR3i0ATSdqVWg03O1KsXC1cKTYg/s1600/Underground+Analogue+klassen+screening+flyer.tif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiRsaD8Phl3JsPI92uoHEMJ1ep9vwInwyAqnEiDVenB8-r4COlLpYkZA1dciOqnUKDYRTYi1T1r4aGDyHuLvJrgvUqOIaoFIepw5NFJsjhVw167cBjR3i0ATSdqVWg03O1KsXC1cKTYg/s640/Underground+Analogue+klassen+screening+flyer.tif" height="640" width="456" /></a></div>
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<a href="http://www.onscreenvienna.at/"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">www.onscreenvienna.at</span></span></a><br />
<a href="http://www.facebook.com/onscreen"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">www.facebook.com/onscreen</span></span></a><br />
<a href="http://onscreenvienna.blogspot.com/"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">http://onscreenvienna.blogspot.com/</span></span></a><br />
<a href="http://www.shelter.at/"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">www.shelter.at</span></span></a><br />
<a href="http://www.facebook.com/sheltervienna"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">www.facebook.com/sheltervienna</span></span></a><br />
<a href="http://www.myspace.com/sheltervienna"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">www.myspace.com/sheltervienna</span></span></a>Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-49505277248485913822012-04-02T00:31:00.001+02:002014-04-24T19:23:09.061+02:00Le dernier art / The Last Art<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Todeskino</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Le dernier art</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Die letzte Kunst</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">The Last Art</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">El último arte</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">cinéma hermétique structural</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Hermetisch strukturaler Film</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Hermetic structural film</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Cine hermético estructural</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">AUT 2012, 16mm, B/W, silent</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">7980 frames</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">24 fr/sec</span></span><br />
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<iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube.com/embed/K5XojBtjJDg" width="480"></iframe><br />
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<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">The film unifies two principal visions that appeared in avantgarde cinema: the structural and even metric method of composing film frame by frame, conceptually, by content as well as by rhythm and form, and the mythic vision of the cinematic occult. </span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">But what has never really appeared in the history of film - hail to our “after-historic” times that have seen and know everything! – is a way of constructing and composing cinema itself out of the material of space-time like ARCHITECTURE. Although it would be the most obvious: the modern revolution in architecture and the cultural revolution of motion pictures appeared at the same period of history. </span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Furthermore the purpose of real architecture has always been to open the human existence to celestial and cosmic structures. Regarding the subject of the film “The Last Art”, the “fools-tower” Vienna, this is the case. It is constructed after hermetic principles of alchemy and cabbala, the great occult sciences, means that it is a kind of number-magical machine which offers the same micro- and macrocosmic structures in always the same “mytho-mathematical” constellations and combinations that seem to appear at every point anew.</span></span><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">The editing “score” of the film “The Last Art” finally reflects and amplifies the occult architectural structures applied in the construction of the building and adds further number-magical insights and combinations to the material. The complex editing score we show separately, it is a true meticulous “masterplan”, that will however reveal not much to the spectator unless he is deeper experienced in the occult sciences. The images shown in the movie have been filmed inside the building, at the pathologic museum Vienna that is now residing in the fools-tower, that was originally constructed as the first psychiatric clinic in Europe, a magic attempt through this building to heal the mentally insane by opening the space towards cosmic forces. In medicine one could think of pathology as the “last art” of the medical scientist or physician after the body is already dead and the medic principle of saving human life is gone (after the steps prevention, cure, palliative care). Like cinema is the last art in culture subverting its rules. The sometimes monstrous pathologic exhibits of the body refer to the pathology of mind and the psyche that are part of the manic, heterogenic, transgressive magical-mythical universe of creation. But this universe is anti-religious, for myth and symbols are often mistaken for religion and the narrative in culture, but the poetic cinematic art as it appears to Todeskino is working WITH death as motion and if the occult structures refer to GOD the only principle of art is that there is no god but man, or that there is no god where I AM (even the breaking of the endless SELF-relating processes of the human psyche), and this is not meant as a hybris but contrary as a definite statement towards beauty even in its often prevented, shadowy “evil” aspects as the sole source of truths about NOTHING, not about this or that thing as death in disguise, which would be a mere contemporary play of semiotic poverty. <span lang="EN-GB" style="font-family: Arial; mso-ansi-language: EN-GB;">(Like Ernesto Guevara said, “wherever death may find us, it shall be welcome…!)</span></span></span><br />
<span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Cinema is an instrument of visionary thinking in action regardless to the function of the cultural reproduction of movement and the theatrical narrative it occurred to be invented for. It is the last art finally destroying the supplementary forces of creation that try to succeed magic, that are money and advanced technology. It is a “simple” technology aiming at heterogenic transgression where it truly finds itself, far beyond all cultural rules it has been locked in since its birth. </span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYkHiJmwWmyoV_yyebIZcF1bxkJnM_SuXI6o0lVTMS6FNACN0QuIVRS0YIuH8k2QHKu5E4r1MSwBzZzhI9GG5i_RnJYHYwl1HWmcH_OZzgzUHoX9Jq_wK7cl279L7dKQ4su9CNgNMJiw/s1600/LastArt1.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYkHiJmwWmyoV_yyebIZcF1bxkJnM_SuXI6o0lVTMS6FNACN0QuIVRS0YIuH8k2QHKu5E4r1MSwBzZzhI9GG5i_RnJYHYwl1HWmcH_OZzgzUHoX9Jq_wK7cl279L7dKQ4su9CNgNMJiw/s640/LastArt1.jpg" height="452" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">the film's basic pattern</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMUR_b_joWF4cRu6XBHez9Kk7VX9lzm5EMB3hUJdNSGgcgkZ6Ad7KFak2yzv30bxELuGIMRW7nbZKc2NlVF8Z-_HlpVrscDMWeN_ugNCmc0U2qjM3xpUWtb5Ji3kxmv_1-X_yM8lBxYw/s1600/narrenturm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMUR_b_joWF4cRu6XBHez9Kk7VX9lzm5EMB3hUJdNSGgcgkZ6Ad7KFak2yzv30bxELuGIMRW7nbZKc2NlVF8Z-_HlpVrscDMWeN_ugNCmc0U2qjM3xpUWtb5Ji3kxmv_1-X_yM8lBxYw/s640/narrenturm.jpg" height="539" title="the "fools-tower" vienna / Narrenturm Wien" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">the "fools-tower" vienna / Narrenturm Wien</span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOD128aLIurRuWPVv8UXR9A5tmK_SgWaEraggTom5YbVAmudqMGYKYQQ767wR2-v0iQcVUp5ffMuYZFtRcJt8KZFdyWmUNvvMIz5F9pkpIxhiCaU_79lONvijBwb_vIKVlP9LPBFL2yg/s1600/Baphomet_Tomar.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOD128aLIurRuWPVv8UXR9A5tmK_SgWaEraggTom5YbVAmudqMGYKYQQ767wR2-v0iQcVUp5ffMuYZFtRcJt8KZFdyWmUNvvMIz5F9pkpIxhiCaU_79lONvijBwb_vIKVlP9LPBFL2yg/s400/Baphomet_Tomar.jpg" height="400" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">Baphomet</span></span></td></tr>
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Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-21656611676957313742012-02-03T21:43:00.001+01:002014-04-24T19:23:22.394+02:00Parataxis<iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube.com/embed/E-yu7vFZWVw" width="480"></iframe><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Based on a 16 mm film loop created during a workshop at the Kubelka school for independent film, Vienna. Kind of a film-film with footage of an oil „film“ shimmering on water combined with a piece of handpainted clear leader of the same length as an artefact, separated by a piece of black leader of the same length, the rest is filled out with leader of the length to close the loop in the projector. </span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Therefore a metric, structural setting is created where the loop is shown 93 times, 3 times without zoom, then 90 times zooming into the image step by step in the digital editing.</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">The title refers to a principle of composition in literature and art, meaning the juxtaposition of the related same or similar elements.</span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">in girum imus nocte et consumimur igni ...</span></span>Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-68263249103084220012011-12-26T14:40:00.001+01:002014-04-24T19:23:43.062+02:00La femme est l'avenir de l'europe<iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube.com/embed/zcZ_IMh-IXU" width="480"></iframe><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">"Il est de la règle que vouloir la mort de l'exception" </span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Car il y a l<span style="font-size: large;">a regle et il y a l'ex<span style="font-size: large;">ception. Il y a la culture, qui est de la regle, il y a<span style="font-size: large;"> l'exception, qui est de l'art.</span></span></span></span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">"Quand il faudra fermer le livre,</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">ce sera sans regretter rien.</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">J'ai vu tant de gens si mal vivre,</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">et tant de gens, mourir si bien."</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">TRIGON</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">PENTAGON</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">HEXAGON</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">POLYGON</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">ARAGON</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">AGON_Y</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">ANAL_O(R)GON</span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Digitales Video, bestehend aus nur einem Bild, allerdings unter konstanter Veränderung der Parameter des digitalen Schnitts. Aus dem abstrakten Beginn erhebt sich unmerklich ein konkretes Bild. Reflexion über Zeit, Material in Kunst und Wissenschaft und tiefenpsychologische Probleme des weiblichen Archetyps. Auf der Tonspur der Text eines Zeitungsartikels über ein neurowissenschaftliches Experiment zur Klärung der Gehirnsubstanz zwecks Untersuchung neuronaler „Landkarten“, gelesen von einem Sprachsynthesizer.</span></span><br />
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<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;"> </span><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="st">"Cinema is not the reflection of reality, but the reality of that reflection." JLG</span></span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Masculin problems with the female archetype, dominion and fascism, lead to a pixel-archeology of the image in the digital era. On the soundtrack a speech synthesizer is reading an article about brain researchers trying to make a mouse brain translucent for microscopic examination. The brain tissue and the vanishing "materiality" of the images are metaferences. The brain appears to be nothing than an image itself, in a vast torrent transgressing our representational conventions.</span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"> "The research comes to the question of the unconscious, there things become necessa<span style="font-size: large;">rily blurred<span style="font-size: large;">, </span>because the unconscious is something which is really unconscious." </span></span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;">C<span style="font-size: large;">arl Gustav </span>Jung</span></span></span><br />
<a href="http://todeskino.blogspot.co.at/2011/11/female-choice.html"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">http://todeskino.blogspot.co.at/2011/11/female-choice.html</span></span></a>
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">pas une image juste, juste une image (JLG)</span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivf7vz1YVv5tGA_FpD0UI9mY90GqdzM6JHtspxfuCrxCR8-3392EeZSv4VgHQXxIBobwNQIaDJD9k_a9ghrTz-Q-Nb7wLVw-Rqs9l1Ju8H3I_JAEGVxEcMxjuotelcXJ2ABpdSHbSgjw/s1600/2094614511_30350c9964.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivf7vz1YVv5tGA_FpD0UI9mY90GqdzM6JHtspxfuCrxCR8-3392EeZSv4VgHQXxIBobwNQIaDJD9k_a9ghrTz-Q-Nb7wLVw-Rqs9l1Ju8H3I_JAEGVxEcMxjuotelcXJ2ABpdSHbSgjw/s640/2094614511_30350c9964.jpg" height="640" width="443" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><span class="st">"Le cinéma est une invention sans avenir."<i><span style="font-size: large;"> </span></i><span style="font-size: large;"><span style="font-size: large;">Lumière</span></span> </span></span></span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOO_espX_fpR2E1kI-GM1iCt2Xu7-4Z-mmGXjj_a2jNHd7eRRq30YrgQ-BKNlG_HQFPOyePZC_IgetTpl0zzBzRkb_Tjn3p6kcNu4WV2Q6UfDqM-1bH7MUnfb48v-4c3ljPyE2Q7Xo5w/s1600/$(KGrHqZ,!lQE1F6J!Mg-BN,mJOEW3g~~_12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOO_espX_fpR2E1kI-GM1iCt2Xu7-4Z-mmGXjj_a2jNHd7eRRq30YrgQ-BKNlG_HQFPOyePZC_IgetTpl0zzBzRkb_Tjn3p6kcNu4WV2Q6UfDqM-1bH7MUnfb48v-4c3ljPyE2Q7Xo5w/s400/$(KGrHqZ,!lQE1F6J!Mg-BN,mJOEW3g~~_12.jpg" height="205" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaQnckP4upVDfUpKpmqnW411eLg8Jw21Eg3CB1uC6uroc2wHqAAN7Wuh-5K0vSof3EwCQoalrNr17B_C5wGzJSKsVaIOt8HexWkHUelj6TuuaSHOfgKf7Mq3e0AokojuW1mJFRehyphenhyphen4WA/s1600/vlcsnap-184787.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="tous garcons s'appellent patrick" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaQnckP4upVDfUpKpmqnW411eLg8Jw21Eg3CB1uC6uroc2wHqAAN7Wuh-5K0vSof3EwCQoalrNr17B_C5wGzJSKsVaIOt8HexWkHUelj6TuuaSHOfgKf7Mq3e0AokojuW1mJFRehyphenhyphen4WA/s400/vlcsnap-184787.png" height="300" title="godard charlotte et veronique" width="400" /></a></div>
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">The films of Fritz Lang: allegories of vision and modernity. British Film Institute. 2000. p. 7. ISBN 9780851707426. "Lang, however, immediately cautions Prokosh, 'Jerry, don't forget, the gods have not created men, man has created the gods.' This is more than a simple statement of Feuerbach-like humanism or atheism." </span></span><br />
<a href="http://www.celebatheists.com/wiki/Fritz_Lang" target="_blank"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">http://www.celebatheists.com/wiki/Fritz_Lang </span></span></a><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">In a letter from 1905, Bartók wrote, "It is odd that the Bible says, 'God created man,' whereas it is the other way round: man has created God."
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEeJe12uJgozEjFp1hqEoRMUfXIjzSO2zIkJaZ2pB6fDVmjzlGL-YD-DllHkzyDaqWJm9ETvVRO2-7hQAU_0OfxMtJwE_oveRyM7440mV6hrtfauxKnWuigYshHs1Wz83hScmw4DkDlQ/s1600/money_film-300x180.jpg" imageanchor="1"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEeJe12uJgozEjFp1hqEoRMUfXIjzSO2zIkJaZ2pB6fDVmjzlGL-YD-DllHkzyDaqWJm9ETvVRO2-7hQAU_0OfxMtJwE_oveRyM7440mV6hrtfauxKnWuigYshHs1Wz83hScmw4DkDlQ/s640/money_film-300x180.jpg" height="384" width="640" /></a>
<iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube.com/embed/hH9nU3s6tMg?rel=0" width="640"></iframe>
<span style="font-size: small;">"Whenever I hear the word culture I bring out my checkbook"
</span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMLgzIZDGTWpUXa5m0WeN-y9MXw7GLslYE5yCZONV3kvQmn9S_DBwBlCoQC4hFDRDj5FJqAQBewX0lgIpafV8vTcNqPdrQLJ-0EnJDxZ3_-gy-w5ed7vpR_I02PkG6VATXUCXZ83FjIw/s1600/TR061lg-1.jpg" imageanchor="1"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMLgzIZDGTWpUXa5m0WeN-y9MXw7GLslYE5yCZONV3kvQmn9S_DBwBlCoQC4hFDRDj5FJqAQBewX0lgIpafV8vTcNqPdrQLJ-0EnJDxZ3_-gy-w5ed7vpR_I02PkG6VATXUCXZ83FjIw/s640/TR061lg-1.jpg" height="640" width="473" /></a>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUVDldHPtxeSc4bECGKJWU68eG4IsGCbsxCXMt-ShiDaF6lXAs8FTUvoyeRY55fneeXffDkJT35wImLyhKV6degAtCoH47DnFD0hxwS8HoHglnMU2VMSauA5Sbrv3LTG5TfjZqtuv1Zg/s1600/Gott_im_Gehirn_Gehirn_und_Geist.jpg" imageanchor="1"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUVDldHPtxeSc4bECGKJWU68eG4IsGCbsxCXMt-ShiDaF6lXAs8FTUvoyeRY55fneeXffDkJT35wImLyhKV6degAtCoH47DnFD0hxwS8HoHglnMU2VMSauA5Sbrv3LTG5TfjZqtuv1Zg/s400/Gott_im_Gehirn_Gehirn_und_Geist.jpg" height="266" width="400" /></a>
</span></span><br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNRESwS7blkyKmp8CFcsLrly83HS1r6w22Ghv1DmpPMjY5SYwHGfpYSxUaxqkqiCyiNvZDYV5tP-RRcqdWiyv2-uDY5mafaFaAn6_bdMns2VIm_sNeH3JV_Kqf7WMQ2mOxipUwjwlYHw/s1600/west.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNRESwS7blkyKmp8CFcsLrly83HS1r6w22Ghv1DmpPMjY5SYwHGfpYSxUaxqkqiCyiNvZDYV5tP-RRcqdWiyv2-uDY5mafaFaAn6_bdMns2VIm_sNeH3JV_Kqf7WMQ2mOxipUwjwlYHw/s640/west.jpg" height="480" title="mae west" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">the west is <span style="font-size: large;">the best,</span></span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLmRUpkP2-8hCACwYIg8WH7Z14cDW4chYU7_ZY7NbvHS-BYzvEeziOFM_jitxhUokAK2kTghLKWbmTS1WgCKDxWBydKkAnp4Q4h09LArqmqDE7bqM0SfMbmeDqnysi6Y2o2rmkZgCfJQ/s1600/mae+west+marlene+dietrich.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLmRUpkP2-8hCACwYIg8WH7Z14cDW4chYU7_ZY7NbvHS-BYzvEeziOFM_jitxhUokAK2kTghLKWbmTS1WgCKDxWBydKkAnp4Q4h09LArqmqDE7bqM0SfMbmeDqnysi6Y2o2rmkZgCfJQ/s640/mae+west+marlene+dietrich.jpg" height="640" title="mae west marlene dietrich" width="454" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">the west ist the best...</span></span></td></tr>
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhioZp6uZPVjJ2p_LbcxLGrlAdIoIqvsCkVsxP8REv8O0Vbi04QlglH9tuBse1bxl8n6465uzR3udSD7oKExoIB4Qctm_www8gQjw-uKWfuSplzTaULTdOw0FrwIqjAnY29cGCAzL9shg/s1600/mitchumhunter.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhioZp6uZPVjJ2p_LbcxLGrlAdIoIqvsCkVsxP8REv8O0Vbi04QlglH9tuBse1bxl8n6465uzR3udSD7oKExoIB4Qctm_www8gQjw-uKWfuSplzTaULTdOw0FrwIqjAnY29cGCAzL9shg/s640/mitchumhunter.jpg" height="485" title="the night of the hunter mitchum" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAEWeR5G_GqpB5dr9ocX4hZyqi9XsLQ2eLDIObsigYLAICfBMoDFs_gToh0Z4uW3sVewUNGfqSoD-yiuZyMnHwvhxCqpFRYvHGRkt5sbuEOu62V44kDp2x02JIhEeaTXrw8jyCcu22LQ/s1600/hunter.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAEWeR5G_GqpB5dr9ocX4hZyqi9XsLQ2eLDIObsigYLAICfBMoDFs_gToh0Z4uW3sVewUNGfqSoD-yiuZyMnHwvhxCqpFRYvHGRkt5sbuEOu62V44kDp2x02JIhEeaTXrw8jyCcu22LQ/s640/hunter.jpg" height="484" title="the night of the hunter mitchum" width="640" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH4I7YqKYCqvEbdjag9JtDPuZC82oCHNhhzZ0KcD1MObY7y1cy5eTm43-J3PbOv66j9jchS9iqg2Giz04Flhgdq23YqzbXuJUx4TaCeNjItnktsZi8rYogA9qzsKZ3UQIsr8o7TGS9Rw/s1600/the-night-of-the-hunter-005.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH4I7YqKYCqvEbdjag9JtDPuZC82oCHNhhzZ0KcD1MObY7y1cy5eTm43-J3PbOv66j9jchS9iqg2Giz04Flhgdq23YqzbXuJUx4TaCeNjItnktsZi8rYogA9qzsKZ3UQIsr8o7TGS9Rw/s640/the-night-of-the-hunter-005.jpg" height="384" title="the night of the hunter mitchum" width="640" /></a></div>
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;">...get<span style="font-size: large;"> here, and we'll do the rest</span></span></span></span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwXY4NouVjWbmBRyCWo7bbcGojsncsbYFtYB3fSFu4097G10mUO7O-RSbqqwB_jjeEAB0PU5CHmC7Mgmnhmp0PX4nlKTMN0d0__ul-KEsRl9EXgtRPGgOtABvRvVCCRa3pkzazPqTBBg/s1600/Salvador+Dali+Mae+West.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Mae West" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwXY4NouVjWbmBRyCWo7bbcGojsncsbYFtYB3fSFu4097G10mUO7O-RSbqqwB_jjeEAB0PU5CHmC7Mgmnhmp0PX4nlKTMN0d0__ul-KEsRl9EXgtRPGgOtABvRvVCCRa3pkzazPqTBBg/s640/Salvador+Dali+Mae+West.jpg" height="640" title="Salvador Dali" width="396" /></a></td></tr>
<tr align="left"><td class="tr-caption"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">"I
have always considered movies evil; the day that cinema was invented
was a black day for mankind. Centuries before photographs there were
talismans, which actually anticipated photographs...Photography is a
blatant attempt to steal the soul." <span style="font-size: large;">Kenneth Anger</span></span></span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhB75M0UCf4xwQN3ySEDAEPOoz108K-S-B8HZTU0yo28WdEIFnEGzwJEjLzPVV8HpW7e6wASaNekH7Zg39R2o1dnNcONiWPGF-usHMwqOgdAy6nyjZo6wUYkSdasKgdDLAEO0DIQAkOA/s1600/vintagekamerastulle.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhB75M0UCf4xwQN3ySEDAEPOoz108K-S-B8HZTU0yo28WdEIFnEGzwJEjLzPVV8HpW7e6wASaNekH7Zg39R2o1dnNcONiWPGF-usHMwqOgdAy6nyjZo6wUYkSdasKgdDLAEO0DIQAkOA/s640/vintagekamerastulle.jpg" height="640" width="530" /></a>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ZLeF5AaQx3g1NUyk4uWeLgwHY4oDTFTw_PBWzYCNiLbhOUcUjzj8Meqb7-La-S77JhfDNud69nx7kz3kB7PACh0zT4DsR08ag0B1KWM1dP4_r6cHBjzPmSj8SFBGWS7CUz9K1wYi6w/s1600/Rosa+Luxemburg,+Simone+de+Beauvoir,+and+Emma+Goldman+on+the+beach,+smoking+pipes+(1930%E2%80%99s.).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ZLeF5AaQx3g1NUyk4uWeLgwHY4oDTFTw_PBWzYCNiLbhOUcUjzj8Meqb7-La-S77JhfDNud69nx7kz3kB7PACh0zT4DsR08ag0B1KWM1dP4_r6cHBjzPmSj8SFBGWS7CUz9K1wYi6w/s640/Rosa+Luxemburg,+Simone+de+Beauvoir,+and+Emma+Goldman+on+the+beach,+smoking+pipes+(1930%E2%80%99s.).jpg" height="640" title="rosa luxemburg, simone de beauvoir, emma goldman" width="508" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">Rosa Luxemburg, Simone de Beauvoir & Emma Goldman lunting (1930ies)</span></span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi99Qhlx02rttlxBpKXn43oy_yGUhUXRzYFNO3gFagZxwK6pBVBcQtJrzZ8WN3_R5-lja1p56wv3lXjKo6-yjd5w21cNL8qAW2Qux8prmjM4v98S3IsMo_tfozqNOA_zgKbYG6Y2yhTIg/s1600/opium+paris+1930s.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi99Qhlx02rttlxBpKXn43oy_yGUhUXRzYFNO3gFagZxwK6pBVBcQtJrzZ8WN3_R5-lja1p56wv3lXjKo6-yjd5w21cNL8qAW2Qux8prmjM4v98S3IsMo_tfozqNOA_zgKbYG6Y2yhTIg/s640/opium+paris+1930s.jpg" height="480" title="opium paris 1930s" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">La femme est l'avenir de l'HOMME, l'homme est l'opium de la femme</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM_qqIiJWTAeVmaa7rAo4fWqNVUzOp4WVVPBdq2i2NrMXxM9l0hogKqsg24gOz1bNZEaz2RnfFJFl9OkgCJxIdABuLlQkNbn6Z5cn9MkMAri2N175sUpg6giSrH9UoZMTp7vFBLFSo1Q/s1600/Gene+Tierney+by+Horst+P.+Horst,+1940.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM_qqIiJWTAeVmaa7rAo4fWqNVUzOp4WVVPBdq2i2NrMXxM9l0hogKqsg24gOz1bNZEaz2RnfFJFl9OkgCJxIdABuLlQkNbn6Z5cn9MkMAri2N175sUpg6giSrH9UoZMTp7vFBLFSo1Q/s640/Gene+Tierney+by+Horst+P.+Horst,+1940.jpg" height="640" width="500" /></a></div>
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"> </span></span>
Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-33269760686689826152011-12-15T14:20:00.001+01:002014-04-24T19:23:56.559+02:00Black Leader<br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Sections of 8mm film (showing the mythical tomb of Homer on Ios, Greece) are transported by bleached and treated black leader material. This projection is recorded and further treated in the digital video editing. The act of pictural or imaginative representation in both analogue and digital media is violated by transgressive, almost „mythical“ forces emerging from a confrontation with materiality and mortality. </span></span><br />
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<i><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Structural vs. representational film</span></span></i><br />
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</o:shapelayout></xml><![endif]--><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">"In representational films sometimes the image affirms
its own presence as image, graphic entity, but most often it serves as vehicle
to a photo-recorded event. Traditional and established avant garde film teaches
film to be an image, a representing. But film is a real thing and as a real
thing it is not imitation. It does not reflect on life, it embodies the life of
the mind. It is not a vehicle for ideas or portrayals of emotion outside of its
own existence as emoted idea. Film is a variable intensity of light, an
internal balance of time, a movement within a given space." Ernie Gehr,
1971</span></span>
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<iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube.com/embed/jT4J7pRyJWM?rel=0" width="480"></iframe>Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-59303608434302145512011-12-15T14:06:00.002+01:002014-04-24T19:24:18.911+02:00L'incorporation de la vueJohn Cage: „Self alteration, not self expression“ and „initially we need to change.”<br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Two reels of handpainted 8 and 16 mm film are projected on a white rotating torso. The conventionally fixed rectangular screen is moving and becoming sculptural, while the classical projections on the female body, whether they are literal, psychological, artistical, are dissolved into a lurching spacetime-dance of colors, and so are the illusions of personal existence in its corporal mode.
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</span></span>Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-44570544258900083992011-12-15T14:02:00.000+01:002014-04-24T19:24:33.561+02:00Thanatokinesis<br />
<iframe allowfullscreen="" frameborder="0" height="360" src="http://www.youtube.com/embed/eUNJZp8sYpg" width="480"></iframe><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">The film-interview with CG Jung "Jung On Film" can also be seen as Jung explaining "on" the subject film because his theories give insight into how the experience of the cinematic process can be conceived like in the Todeskino concept of death in motion - THANATOKINESIS:</span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">"When you observe the world you see tangible objects, but when you observe yourself within you see <i>moving images</i>. Everything was phantasy to begin with, and phantasy has a proper reality, it is a form of energy. And so the psychic events are facts, realities, and when you observe the stream of images within, you observe an <i>aspect of the world</i>. Of the world within, because the psyche, if you understand it as a phenomenon that takes place in so called living bodies, then it is a quality of <i>matter</i>. As our body consists of matter, we discover that this matter has another aspect, namely a psychical aspect. And so it is simply the world form within, seen from within, it is just as if you were <i>seeing into another aspect of matter</i>." Jung</span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"> "Nobody can say where man ENDS." Jung</span></span>Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-78171557500391027882011-11-24T17:15:00.001+01:002014-04-24T19:24:58.734+02:00Female Choice<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Masculin problems with the female archetype, dominion and fascism, lead to a pixel-archeology of the image in the digital era. On the soundtrack a speech synthesizer is reading an article about brain researchers trying to make a mouse brain translucent for microscopic examination. The brain tissue and the vanishing "materiality" of the images are metaferences. The brain appears to be nothing than an image itself, in a vast torrent transgressing our representational conventions. </span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">"In representational films sometimes the image affirms its own presence as image, graphic entity, but most often it serves as vehicle to a photo-recorded event. Traditional and established avant garde film teaches film to be an image, a representing. But film is a real thing and as a real thing it is not imitation. It does not reflect on life, it embodies the life of the mind. It is not a vehicle for ideas or portrayals of emotion outside of its own existence as emoted idea. Film is a variable intensity of light, an internal balance of time, a movement within a given space." Ernie Gehr, 1971
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">"The research comes to the question of the unconscious, there things become necessa<span style="font-size: large;">rily blurred<span style="font-size: large;">, </span>because the unconscious is something which is really unconscious." </span></span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;">C.G. Jung</span></span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">for the biological term "Female Choice" meaning sexual selection see:</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><a href="http://en.wikipedia.org/wiki/Female_choice">http://en.wikipedia.org/wiki/Female_choice</a></span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzPSbMmqVlrdRm5bCEm5E95lUTIX4m0QryqCWJo028JINWLkP3NwSJ-ZTV8kFfQ_keCRgHJ1mObShIQwooRRr3h5CzKbqmL6BHneNcBXmBdWEjn2wvpm_eCkC7aGyFDlGeijDVZUn2JA/s1600/SheelaWiki.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzPSbMmqVlrdRm5bCEm5E95lUTIX4m0QryqCWJo028JINWLkP3NwSJ-ZTV8kFfQ_keCRgHJ1mObShIQwooRRr3h5CzKbqmL6BHneNcBXmBdWEjn2wvpm_eCkC7aGyFDlGeijDVZUn2JA/s400/SheelaWiki.jpg" height="400" width="296" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://todeskino.blogspot.co.at/2011/12/la-femme-est-lavenir-de-leurope.html"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">http://todeskino.blogspot.co.at/2011/12/la-femme-est-lavenir-de-leurope.html</span></span></a><br />
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</span>Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-37981956322901446432011-11-23T17:34:00.000+01:002015-08-25T14:20:41.845+02:00Todeskino installation at Philosophy on Stage # 3, Vienna<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg10Crq7xVxTATj-S92hFR-QPdxGOnD25iRKQlMY_mlnFeB-ZNdqHlEJG9GMxpYAGeXgXwTPifp_FX6bi9r6G98dxMebOxglYN-ej7sCr-rNn_Swvj5uYQOt5l22rJmwMvbpfLfpnYn4w/s1600/cineskull.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg10Crq7xVxTATj-S92hFR-QPdxGOnD25iRKQlMY_mlnFeB-ZNdqHlEJG9GMxpYAGeXgXwTPifp_FX6bi9r6G98dxMebOxglYN-ej7sCr-rNn_Swvj5uYQOt5l22rJmwMvbpfLfpnYn4w/s400/cineskull.gif" width="400" /></a></div>
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">The Todeskino video <i>Thanatokinesis</i> is shown as an installation at </span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Philosophy on Stage #3</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Haus Wittgenstein Wien</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">24.-27. November 2011</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"><br /></span></span>
<a href="http://homepage.univie.ac.at/arno.boehler/php/?page_id=2388"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">http://homepage.univie.ac.at/arno.boehler/php/?page_id=2388</span></span></a><br />
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<tr><td class="tr-caption" style="text-align: center;">the owls are not what they seem...</td></tr>
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Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-18866928084963620512011-10-25T18:41:00.000+02:002014-04-24T19:25:45.546+02:00We make film to feed projectors, not children<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">We make films not to feed children, but to feed projectors...</span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">"I don't want your shit in my projector" Bruce McClure</span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZO4rl_pu8us3mKgJWIt1nayRTFMzhueYTGjv5k9l6xtwQEfXWwGyM99BJKLm2-3P0PwegdKcl7X44lp47bPcPN-B-VMFeoqXHbrdrUKOHBT8zv8Vs7PltLdbmk0VecVn3ggOMa3UAVg/s1600/sonl.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZO4rl_pu8us3mKgJWIt1nayRTFMzhueYTGjv5k9l6xtwQEfXWwGyM99BJKLm2-3P0PwegdKcl7X44lp47bPcPN-B-VMFeoqXHbrdrUKOHBT8zv8Vs7PltLdbmk0VecVn3ggOMa3UAVg/s400/sonl.jpg" height="156" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Georgia,"Times New Roman",serif;">l'anus solaire</span></span></td></tr>
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Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.comtag:blogger.com,1999:blog-914682516798422147.post-28883183267150586682011-09-30T19:32:00.001+02:002014-04-24T19:25:59.379+02:00Thanatokinesis<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">call it a LOW DEFINITION or NO DEFINITION </span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">pixel<span style="font-size: large;">-</span>autopsy</span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">medi-cine</span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Rembrandt, Anatomy Lesson (1632)
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgs9hAeb7TQY_ER85ws-s9y3bh-C9WV_iv5zs8Fs9ceCysO0IQ_MGQ19r7yeTOAenuStypRuew7SZJp7m0yccIZIwXo24LmywajegRFkjS4uLHB1VQes5uDFbwGgQ9EWFOe5WG1U_1sQ/s1600/Rembrandt+anatomy+lesson+autopsy+detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgs9hAeb7TQY_ER85ws-s9y3bh-C9WV_iv5zs8Fs9ceCysO0IQ_MGQ19r7yeTOAenuStypRuew7SZJp7m0yccIZIwXo24LmywajegRFkjS4uLHB1VQes5uDFbwGgQ9EWFOe5WG1U_1sQ/s400/Rembrandt+anatomy+lesson+autopsy+detail.jpg" height="268" title="Rembrandt, Anatomy Lesson (1632) " width="400" /></a></div>
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Jean Cocteau: "Film, das heißt, dem Tod bei der Arbeit zusehen."</span></span><br />
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Josef von Sternberg: "Zu meinem Unglück bin ich ei<span style="font-size: large;">n Künstler. Ich m<span style="font-size: large;">esse dem <span style="font-size: large;">b</span>loßen Inhalt</span></span>, der<span style="font-size: large;"> <span style="font-size: large;">Handlung keinerlei Bedeutung zu. Ich versuche, das für den Film <span style="font-size: large;">W</span>esentliche wiederzu<span style="font-size: large;">geben - die <i>Bewegung</i>."</span></span></span> </span></span>Todeskinohttp://www.blogger.com/profile/10888003044839298866noreply@blogger.com